Quantcast
Channel: The Latest TV Reviews & News | Den of Geek
Viewing all 30244 articles
Browse latest View live

Steven Universe Future Episode 8 Review: Why So Blue?

$
0
0

As Steven Universe wraps up, Lapis proves once again that she's the best character in the entire franchise.

This Steven Universe Future review contains spoilers.

Steven Universe Future Episode 8 Review

Lapis has had the most compelling arc of Steven Universe’s cast. While Steven, Garnet, Amethyst, and Pearl have all gotten meaty storylines that have taken up much of the show’s lengthy run, Lapis’ story has managed to be the most compelling even with only a handful of episodes fully dedicated to it. Seeing her go from an abuse victim to confronting her abuser to learning to live with Peridot, Lapis has covered a lot of ground across the series with so little time.

I’ve written before about the exemplary treatment of Lapis and this episode, like ‘Snow Day’ did with Steven, brilliantly let’s us check in on how much she’s grown. Lapis has become calmer over the years and seemingly isn’t pushing people away because of what she’s been through, as she did with Peridot back in season 5. She’s now easily working with Steven which also means she’s interacting with lots of other Gems. 

She’s put to the test though when she has to confront two other Lapis’, ones that are still preparing worlds for colonization. She does her best trying to be nice like Steven but, as she admits, she changed partly because of the abuse she went through. It’s the only way she knows to start that kind of big change which makes it all the more difficult to try and impart it to the other Lapis’. How do you get someone who's sole goal is destruction to appreciate the beauty in nature when they haven’t been locked up in a mirror or unwillingly fused with another Gem? 

read more: Steven Universe: Should Steven Forgive Rose?

It’s tough but it also ties in to some of the major elements running across Steven Universe Future. Not everyone experienced the same things while under the rule of the Diamonds. Many felt oppressed but others were completely fine. They even liked what they were doing! The two Lapis’ don’t want to stop what they’ve been doing all their lives simply because Lapis and Steven told them to. People like Lapis or the other Crystal Gems changed because of a traumatic event… but you can’t use that tactic on everyone. How do you make someone change their whole ideology in a normal setting? 

Well, as we see with Lapis, sometimes you can’t play nice. Sometimes you have to show your muscle a bit and not let people walk all over you. You have to show them they’re wrong for what they’re doing and you can’t be nice about it. Lapis, thankfully, doesn’t take this too far but it leaves enough of an impact that one of the Lapis’ does come to Little Homeschool. The other doesn’t but that’s just continuing what we saw in ‘Bluebird,’ not everyone is willing to change.

I loved seeing Lapis lash out but quickly get it under control. Trauma does a lot to a person and when you’re reminded of it, as I’m sure she was with those water chains, it’s easy to lose control. However Lapis has clearly been working on trauma the last few years and easily stops herself the before she does anything too bad. She’s grown a lot but she’s not perfect and that’s okay. 

If this is the last major Lapis appearance in the Steven Universefranchise I’m totally fine with it. She’s made a complete one-eighty from her first episode. Back then she was a prisoner. Now she’s taken charge of her life and isn’t afraid to get her hands dirty in making the universe a better place. She learned to deal with her trauma in a healthy way but the show never acted like she was cured of it. It’s still with her but she’s able to work with it.

As the series winds down, Lapis proves once again that she’s been the best character throughout.

Keep up with all our Steven Universe Future news here!

Read and download the Den of Geek Lost in Space Special Edition Magazine right here!

Shamus Kelley is a pop culture/television writer and official Power Rangers expert. Follow him on Twitter! He also co-hosts a Robotech podcast, which covers the original series and the new comics. Give it a listen! Read more articles by him here!

4.5/5
ReviewShamus Kelley
Steven Universe Future Episode 8 Why So Blue?
Dec 21, 2019

Steven Universe Future Episode 7 Review: Snow Day

$
0
0

Steven Universe has completely changed since the beginning but the most important thing in 'Snow Day' is how Steven has become a teenager.

This Steven Universe Future review contains spoilers.

Steven Universe Future Episode 7 Review

Steven Universe Future is actively looking back at its past. It may seem counterintuitive, after all the name of the show is Steven Universe Future. Why aren’t we focusing on the now? When are we going to get to all those scary Gems in the opening theme? What about all the other characters? We need more Peridot!

I understand all those desires but ‘Snow Day’ is concerned with perhaps the most important part of anyone’s future. How you’ve changed and grown. Steven is directly confronted with this thanks to Garnet, Amethyst, and Pearl all wanting to hang out. They try to lure Steven in with his old favorite things but Steven’s grown up. He doesn’t want a breakfast filled with sugar. He doesn’t want to watch anything associated with Dogcopter. He doesn’t want to eat pizza with meat. 

Steven’s obviously grown in size but this is the first time we’ve really seen him grow up in normal ways. All his work with Little Homeschool takes a more mature outlook but it’s not totally different from the Steven of old. A Steven that doesn’t want Together Breakfast and is too busy for pizza? That’s a changed Steven. He’s not totally different but as we grow up we drift away from things we were attached to as kids.

Crucially this episode isn’t about Steven embracing his younger self. The Gems realize they were in the wrong for forcing Steven to play tag and shifting into different versions of him. It’s more about the Gems and the audience accepting Steven for who he is now. That time has moved on and that this boy isn’t trapped in amber, as much as they (and some of the audience) might want it. The world moves on and Steven is moving with it.

read more: Steven Universe: Should Steven Forgive Rose?

Some may want bigger plot moves in Steven Universe Future (we do see Steven get more tired this episode, as he had in previous outings) but I’m enjoying these smaller character beats. Just giving the show the air to address something as simple as Steven becoming a slightly “too cool for school” for teenager is exactly what it needed. Steven Universe Future isn’t about these gigantic universe-shattering plots. It’s only nominally about the fall out of those plots. It’s about what happens after a normal story ends. After a normal series has wrapped up its main “arc”. Steven Universe Future is telling the kinds of stories very few long running series do and I applaud them for it.

Keep up with all our Steven Universe Future news here!

Read and download the Den of Geek Lost in Space Special Edition Magazine right here!

Shamus Kelley is a pop culture/television writer and official Power Rangers expert. Follow him on Twitter! He also co-hosts a Robotech podcast, which covers the original series and the new comics. Give it a listen! Read more articles by him here!

3.5/5
ReviewShamus Kelley
Steven Universe Future Episode 7 Snow Day
Dec 21, 2019

Steven Universe: Future Return Date, Cast, Trailer and News

$
0
0

It's official! Steven Universe season 6 is really happening at Cartoon Network. Here is everything we know!

Steven Universe: The Movie seemed like it could have easily been the wrap up to the entire series but there's more to come! We've learned that Steven Universe will continue with Steven Universe season 6, titled Steven Universe: Future, and we've got the new opening theme below.

As you can hear it's an all new song featuring a shortened mix of 'Happily Ever After' from Steven Universe: The Movie! Cartoon Network also revealed this is a "new epilogue limited series." 

Steven Universe: Future Trailer

The first trailer for Steven Universe: Future is here and if you thought things would be chill for Steven this season? You're wrong! Pink Pearl? Jasper? Aqua Marine? We need more right now!

Steven Universe: Future Release Date

Steven Universe: Future will return on December 28th, 2019 with two new episodes. We've go the episode descriptions below.

Steven Universe Future Episode 9 "Little Graduation"

Steven and the Gems celebrate Little Homeschool's first graduating class. (December 28, 2019)

Steven Universe Future Episode 10 "Prickly Pair"

After leaving Little Homeschool, Steven has found a new hobby, plants. (December 28, 2019)

Steven Universe: Future Story

In a synopsis provided by Cartoon Network, Steven Universe: Futurewill focus on Steven finally dealing with many of his issues!

After saving the universe, Steven is still at it, tying up every loose end. But as he runs out of other people’s problems to solve, he’ll finally have to face his own.

 

read more: Steven Universe: The Essential Episodes

Steven Universe: Future Episodes

Steven Universe Future Episode 1 "Little Homeschool"

Welcome to Little Homeschool, a place on earth where Gems from all over the universe can come learn how to live together peacefully! But there's one Gem who refuses to attend.

Steven Universe Future Episode 2 "Guidance"

Amethyst has been helping Little Homeschool Gems find jobs on the boardwalk, but Steven isn't sure about her approach.

Steven Universe Future Episode 3 "Rose Buds"

Steven gets a surprise visit from some old friends, and an even more surprising introduction to some new ones. 

Steven Universe Future Episode 4 "Volleyball"

Steven is determined to help Pink Diamond's original Pearl heal the scar on her face. 

Steven Universe Future Episode 5 "Bluebird"

Steven questions the motives of a mysterious fusion that suddenly shows up at his house. 

Steven Universe Future Episode 6 "A Very Special Episode"

Rainbow Quartz 2.0 promised to hang out with Onion the same day Sunstone scheduled a home safety Geminar! How can Steven be in two places, and two fusions, at once? 

Steven Universe Future Episode 7 "Snow Day"

Steven and the Crystal Gems get a chance to catch up when they're all snowed in together. 

Steven Universe Future Episode 8 "Why So Blue?"

Steven has heard rumors of a pair of Gems that are still destroying worlds. If he can't stop them, maybe Lapis can.

Steven Universe Future Episode 9 "Little Graduation"

Steven and the Gems celebrate Little Homeschool's first graduating class. (December 28, 2019)

Steven Universe Future Episode 10 "Prickly Pair"

After leaving Little Homeschool, Steven has found a new hobby, plants. (December 28, 2019)

Thanks to the Futon Critic for the names and descriptions of these episodes!

Steven Universe: Future Cast

Thanks to the new opening we can be sure the entire cast of Steven Universe will be returning for Steven Universe: Future!

Steven Universe: Future Villains

From the opening theme we got a brief shot of what seem to be the villains for Steven Universe: Future. There are some things that look like watermelon Steven's, a Jasper, something that looks like an Aquamarine,, a sneak-like creature (was Ronaldo right about SNEEPLE?), two Lapis Lazulis, and a White Diamond thing? We can't wait to find out more!

Keep checking back to Den of Geek for all things Steven Universe: Future. We'll update this article as we learn more! Don't forget to check out our list of the essential Steven Universe episodes!

Shamus Kelley is a pop culture/television writer and official Power Rangers expert. Follow him on Twitter! Read more articles by him here!

Steven Universe Season 6 Release Date Cast Story
NewsShamus Kelley
Dec 21, 2019

Rick and Morty Season 4 Release Date, Episodes, Cast, Reviews

$
0
0

Rick and Morty Season 4 is halfway over. Here's everything you need to know, from the return date to episode details.

After a long hiatus, Rick and Morty Season 4 is finally almost here. And it's just the beginning for Rick and Morty and Adult Swim.

Series co-creator Justin Roiland broke the news about Rick and Morty's future with an Instagram post. The illustration states that 70 more episodes of Adult Swim's Rick and Morty are on the way. Going by last season's 10 episodes, that's potentially seven more seasons of Rick and Morty.

The official word from the network states that "Adult Swim has made a long-term overall deal with the creators that will include 70 new episodes of the critically acclaimed series that follows a sociopathic genius scientist who drags his inherently timid grandson on insanely dangerous adventures across the universe." 

Rick and Morty season 4 finds the show back at the height of its powers. Read more about it in our spoiler free review of the first episode.

Here's everything else we know about the Rick and Morty season 4... 

Rick and Morty Season 4 Release Date

The first half of Rick and Morty season 4 is over. Now the wait begins. We expect more episodes will air in 2020, but we've been hurt before.

We'll update this post when there's an official premiere date for the next batch of new episodes.

Rick and Morty Season 4 Episode Guide

Rick and Morty season 4 will feature 10 episodes, split up into two parts. We'll update this with new info and links to reviews as it all becomes available.

Rick and Morty Season 4 Episode 1 - Edge of Tomorty: Rick, Die Repeat

air date: 11/10/19

Read our review of "Edge of Tomorty: Rick, Die, Repeat" here.

Rick and Morty Season 4 Episode 2: The Old Man and the Seat

air date: 11/17/19

Read our review of "The Old Man and the Seat" right here.

Rick and Morty Season 4 Episode 3: One Crew over the Crewcoo's Morty

air date: 11/24/19

Read our review of "One Crew over the Crewcoo's Morty" right here.

Rick and Morty Season 4 Episode 4 - Claw and Hoarder: Special Ricktim's Morty

air date: 12/8/19

Read our review of "Claw and Hoarder: Special Ricktim's Morty" right here.

Rick and Morty Season 4 Episode 5: Rattlestar Ricklactica

air date: 12/15/19

Read our review of "Rattlestar Ricklactica" right here

The next batch of episodes after these will arrive in 2020.

Rick and Morty Season 4 Cast

Each season of Rick and Morty has the same relatively sparse cast. That's what happens when your creator (Justin Roiland) also voices the two main characters among countless other folks. Expect Sarah Chalke, Chris Parnell, and Spencer Grammer to return and fill out the roles of the Smith/Sanchez family.

Harmon and Roiland also revealed to EW that Paul Giamatti, Sam Neil, Taika Waititi, and Kathleen Turner are set to guest star in the new season.

We’ll keep you posted on more Rick and Morty season 4 news as we get it.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

Rick and Morty Season 4 Release Date Trailer Episodes Cast News
NewsChris Longo
Dec 22, 2019

The Orville Season 3 Cast, Release Date, Episodes, Plot, and News

$
0
0

The Orville Season 3 will boldly continue on Hulu. Here is everything we know about The Orville Season 3.

Through two seasons, The Orville is the little Star Trek homage that could. Like its (unofficial) Trekforefathers, The Orvillehas built up a small but formidable fanbase. Fox has rewarded that fanbase by ordering The OrvilleSeason 3...but it won't air on Fox.

Orville creator Seth MacFarlane announced during San Diego Comic-Con 2019 that the show will be moving to Hulu for Season 3. That's right. The Orville is no longer a Fox show. It is now a Hulu original. With Hulu itself being exclusively owned by Disney, just as the show's former network home of Fox, the shoe apparently fits.

Here is everything else we know about The Orville season 3.

The Orville Season 3 Cast

In the latest news on The Orville's third season, the main cast is getting a new addition!

Anne Winters is joining The Orville Season 3 as a series regular, reported Deadline, which recently revealed that she will play a character named Charly Burke. Winters, an American actress, is coming off TV runs on ABC’s Grand Hotel, Netflix’s 13 Reasons Why and Go90’s Zac and Mia. She also fielded runs on FX’s Tyrant, ABC’s Wicked City and Freeform’s The Fosters, along with recent movie appearances in Night School and Mom and Dad.

The Orville was created by Family Guy’s Seth McFarlane, who will continue on as star of the show alongside Adrianna Palicki, Penny Johnson Jerald, Scott Grimes, and many others. The Orville Season 2 saw the departure of Halston Sage, who played Lt. Alara Kitan, from the cast, replaced by Jessica Szohr's Lt. Talla Keyali.

The Orville Season 3 Release Date

It's not clear when The Orville season 3 premiere will happen...particularly with the move to Hulu. The first season arrived in the traditional September premiere window, while season two was held for midseason and didn't arrive until nearly January. Considering that this is an intricate, expensive show to produce, The Orville season 3 might be a better fit for midseason.

As Seth MacFarlane said of the move to Hulu:

The Orville has been a labor of love for me, and there are two companies which have supported that vision in a big way: 20th Century Fox Television, where I’ve had a deal since the start of my career, and FOX Broadcasting Company, now FOX Entertainment, which has been my broadcast home for over 20 years. My friends at the network understood what I was trying to do with this series, and they’ve done a spectacular job of marketing, launching and programming it for these past two seasons. But as the show has evolved and become more ambitious production-wise, I determined that I would not be able to deliver episodes until 2020, which would be challenging for the network. So we began to discuss how best to support the third season in a way that worked for the show. It’s exactly this kind of willingness to accommodate a show’s creative needs that’s made me want to stick around for so long. I am hugely indebted to Charlie Collier and FOX Entertainment for their generosity and look forward to developing future projects there. And to my new friends at Hulu, I look forward to our new partnership exploring the galaxy together."

The Orville Season 3 Episodes

Orville creator Seth MacFarlane revealed at NYCC 2019 that the show's episode order would be slightly smaller for season 3. The Orville season 3 will receive only 11 episodes on Hulu. The good news, however, is that those episodes stand to get a little longer, expanded by 10 minutes or more in some cases, according to a report from Cinemablend.

The Orville Season 3 Plot

Like many finales in the modern TV landscape, The Orville Season 2 finale could have served as both a fitting season or series end. There was a conclusive finish to the show's brief time travel arc and should the show get a third season, it will likely get right back to the story of The Orville and its diverse crew. Thankfully, it wasn't, and their adventures will continue.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

Alec Bojalad is TV Editor at Den of Geek and TCA member. Read more of his stuff here. Follow him at his creatively-named Twitter handle @alecbojalad

Joseph Baxter is a contributor for Den of Geek and Syfy Wire. You can find his work here. Follow him on Twitter @josbaxter.

The Orville Season 3 Release Date Cast
NewsAlec Bojalad Joseph Baxter
Dec 22, 2019

Succession Season 3 Cast, Release Date, and News

$
0
0

HBO has ordered Succession season 3, ensuring the Roy family will be gobbling up media conglomerates for another year.

Waystar/Royco and the Roy family will continue their awful ways as HBO has officially ordered Succession season 3. HBO made the announcement from its Medium PR account.

The Succession season 3 renewal came quite early for an HBO property, with HBO announcing the renewal as Succession season 2 was airing. Clearly, HBO likes what it sees from Succession's viewership numbers, not to mention the conversation it's been able to drive on social media. The official HBO account didn't have to dig deep for a Succession season 3 excitement meme.

Never change, Greg the egg.

“We are elated that Succession and its exploration of wealth, power and family has resonated so powerfully with audiences,” Francesca Orsi, Executive Vice President, HBO Drama Programming, said in a statement. “We cannot wait to see how the complex characters that Jesse Armstrong has created continue to navigate this captivating, ruthless world of the uber-rich. In today’s world where the intersection of politics and media is increasingly prevalent, Succession presents an especially piercing look behind the curtain of this elite, influential, and cutthroat community.”

further reading: Why Succession Deserves More Attention

Succession was created by Jesse Armstrong (In the Loop) and is produced by Armstrong, Adam McKay, Will Ferrell, Frank Rich, Kevin Messick, Jane Tranter, Mark Mylod, Tony Roche and Scott Ferguson. After a slow start to its first season, it has become a much buzzed about comedy-drama hybrid about a uniquely hateable, yet also kind of likeable rich family.

Succession Season 3 Cast

Expect the full Roy family to return in Succession season 3. That includes Logan Roy (Brian Cox) and his children Kendall (Jeremy Strong), Connor (Alan Ruck), Shiv (Sarah Snook), Roman (Kieran Culkin). There are also plenty of corporate hangers on at Waystar/Royco like Gerri (J. Smith-Cameron) and Karl (David Rasche). Surprisingly, everyone came out of the Succession season 3 finale ok so it should be a full cast for season 3. Plus, there is always an opportuntity for guest actors to join like Holly Hunter did in season 2.

Succession Season 3 Release Date

There is no word on a Succession season 3 release date yet though for two seasons, it has been a major part of HBO's summer plans.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

Alec Bojalad is TV Editor at Den of Geek and TCA member. Read more of his stuff here. Follow him at his creatively-named Twitter handle @alecbojalad

Succession Season 3 Release Date Cast News
NewsAlec Bojalad
Dec 22, 2019

Westworld Season 3 Release Date, Cast, Trailer, Story, and News

$
0
0

Westworld Season 3 is to be "a whole new world." And now we know it won't look like the past two seasons.

Violent delights may have violent ends, but Westworld’s enticements are in no danger of being cut off from their source, even after an aborted robo-apocalypse in the park of dreams turned it into a nightmare. Which is happy news for us, cowboy. Westworld Season 3 was confirmed early during the second season's run. And we're getting intriguing new teases about it to this day.

Westworld is adopting quite new look for season 3 with huge casting changes and a big setting migration. Here is everything we know about Westworldseason 3.

Westworld Season 3 Release Date

HBO has confirmed that Westworld season 3 will arrive at some point in the first half of 2020.

further reading: Westworld Was the First Draft of Jurassic Park

Westworld Season 3 Cast

The most internet waves-making casting for season 3 has been of course Breaking Bad's Aaron Paul getting cast as a series regular. Offering the chance to help lead a "repilot" for season 3, Paul plays a disillusioned malcontent living in this show's version of the future. Perhaps this is why we know he's a thief in his world, but he might become something more when he catches the eye of Dolores.

Lena Waithe (The Chi) will appear in Westworld Season 3. It's unknown what role she will be playing but it's expected to involve the incoming conflict between robots/hosts and humanity. French actor Vincent Cassel (Irreversible, Black Swan, Ocean's Thirteen) is also cast in an unknown role that is credited for all 10 episodes.

further reading: Westworld Season 2 Timelines Explained

With the fate of so many of the main cast members' characters up in the air come the end of Season 2, Westworld could do a major reset in Season 3. Either way, Paul is credited with appearing in all 10 episodes of season 3. And of course Evan Rachel Wood, Tessa Thompson, Thandie Newton, and Jeffrey Wright will all play major roles. Also, perhaps to your surprise given the second season ending, Ed Harris' Man in Black will also be returning, as will Katja Herbers as his daughter (or at least a replica of her since, well, you know....).

Scott Mescudi and Marshawn Lynch also have key roles.

Westworld Season 3 Trailer

"The future is powered by you...and we know you," says a voice in a creepy new corporate ad for Westworldseason 3. "With Incite, the only choice you'll have to make is us."

A new Westworld trailer premiered at SDCC 2019! Watch it below:

Right before the Game of Thrones Season 8 finale aired, HBO revealed the first Westworld Season 3 trailer, set to Pink Floyd's "Brain Damage." If you didn't notice, we're no longer in Sweetwater, Toto.

Westworld Season 3 Story

As you've already gathered from the Westworld Season 3 trailer, we are in a "whole new world." This is hardly a surprise though since Westworld showrunners Joy and Jonathan Nolan sat down with The Hollywood Reporter back during the end of the second season to say that season 3 would offer the opportunity to explore the perspective of a species with a nigh-immortal lifespan. At that point, characters can start thinking about things in the span of eons as opposed to years.

"I think it's a radical shift," Nolan said. "What's compelling and appealing about these characters is that they're not human. As we said in the show, humans are bound by the same loops the hosts are, in some ways even smaller. You couldn't expect human characters to withstand and survive the kind of story that we're telling. The hosts have a different version of mortality, a different outlook. I think clearly with Dolores, as she's laid out, there is a longer view here, a larger set of goals. They're existential. They span eons."

further reading: Westworld Season 2 Ending Explained

This ties in with our previous theories about season 3 potentially expanding its timelines to include events hundreds, if not thousands, of years in the future. This was hinted at during the post-credits scene of the season 2 finale. Joy likewise calls season 3 an opportunity to "repilot" the series, and that includes the new direction taken by Tessa Thompson's character.

In the season 2 finale, Thompson's Charlotte Hale was killed with extreme prejudice by Dolores, who had then assumed her visage. Yet by the end of season 2, Dolores is back in a model based on her original body, and the Charlotte Hale clone played by Thompson was a mystery character. Joy also touched on what that could look like in season 3.

Says Joy, "So we always knew that we were going to do this reveal and let her expand into this new role. We have a very diabolical arc for her planned out. Part of the fun for the character will be self-realization. She will be realizing the things we know about who she is."

And if you're wondering whether Westworld is going to go full Lost on us, Joy also sought to nix that notion in a more recent interview:

“We have an ending in mind; we’ve had it from the pilot. It’s very emotional, I think. I can’t tell you exactly when that ending will come… but I think for every season what we try to do is tell a chapter of the story that gives you closure and then opens a door to a new chapter…The overarching question of the series is, what will become of this new lifeform? So I feel it would be irresponsible to not have an end goal in mind.”

You can find all our Westworld coverage right here.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

Alec Bojalad is TV Editor at Den of Geek and TCA member. Read more of his stuff here. Follow him at his creatively-named Twitter handle @alecbojalad

Westworld Season 3 Release Date Cast Trailer Story
NewsDavid CrowAlec Bojalad
Dec 22, 2019

Star Wars Resistance Season 2 Episode 12 Review: The Missing Agent

$
0
0

A slightly intriguing, if straight-forward, rescue mission has enough low-key tension to make for an entertaining Star Wars Resistance.

This Star Wars Resistance review contains spoilers.

Star Wars Resistance Season Episode 12

Well, you can’t really go wrong with utilizing a two-parter (or, multi-parter, as I’m not sure how long they’ll be stretching out this story) to shake things up a bit. As it stands, “The Missing Agent,” isn’t really much of a game-changer, or even that strong of a story to be honest. There’s the usual padding and stalling, but it isn’t particularly egregious for Star Wars Resistance.

It’s mostly a small mystery tale, a soft investigation into the disappearance of a Resistance agent that pulls Kaz, Yeager, and Synara into its orbit. The episode hedges its bets by showing the captor of said agent, and by explaining the reason for the captor’s actions, at the onset–all of which is revealed before the actual first act–which immediately removes most, if not all, of the suspense. But the episode makes up for it by providing a kind of gritty, grounded, noir-ish sensibility–clue-following, and suspect-questioning.

The episode introduces Norath Kev early on, who sends a distress call before being captured by a hulking dude with horns and a weird helmet. He also mentions that he's capturing Resistance agents to sell out to the First Order for money, so that point is already elucidated. The signal reaches the Colossus, which piques the interest of Kaz and Yeager, whose loose connection to the Resistance doesn’t deter their determination to figure out what’s going on.

They also bring along Synara, which… look, it makes no sense, narrative-wise, why they would bring her. Kaz may have a low-key crush on her, but Yeager has no reason to trust any of the recently muntious pirates. But she’s there specifically because she is essentially the best fighter in the whole established cast, and when her time comes to throw down, it’s a pretty exciting sequence.

read more - Star Wars Resistance: 8 Best Episodes

But before we get to that, I just want to say something that’s been nagging at me for a while now. Kaz has never, never came off as a legit Resistance spy or agent. I mean, I guess in terms of the show, he is, but he has always, at best, just came off as a UI–a Useful Idiot. I understand that he was recruited by Poe, and at times he has retrieved information for the Resistance, but the show has failed to present the character as a dedicated member of the Resistance–a believer, or a real asset, or a character who has come to slowly embrace his role within the Resistance ranks.

I like Kaz. I like his goofy, can-do attitude, his clumsy determination in stumbling into victory and success (when the show doesn’t overdo it, which it does, often). I can’t buy him as a gung-ho Resistance idealogue, even a fun-loving one, driven by the strong need to stand up to the threat that is the First Order. This season hasn’t once referenced his home world being destroyed by them, for example.

The episode addresses this with the introduction of Norath, an actual Resistance agent that clearly is meant to parallel Kaz in a lot of ways. He’s also somewhat clumsy, not a great fighter, and seems to survive mostly by luck. But he also has a clear, specific objective, as opposed to Kaz’s generic “just find out what you can about the First Order” mission: finding potential First Order contacts within the black market on the planet. We don’t really get a sense of who Norath is, but the episode ends with him and Kaz all on their own after escaping an all out brawl between Synara, Yeager, and Ax Tagrin–the name of the hulking bounty hunter snagging up Resistance spies in exchange for money from the First Order.

“The Missing Agent” on the whole follows a pretty obvious narrative path: Kaz, Yeager, and Synara track the Resistance fighter, they escape Ax, they pressure one of those First Order contacts (an alien an Lechee, voice by Fred Armisen, who gives a charming bit of life to someone who’s probably a throwaway character) to find Norath, they walk into an Ax trap, Kaz and BB-8 bumble into crashing the ship to escape, and then there’s a pretty nifty battle that allows Kaz and Norath to flee.

Those brawls, one between Yeager/Synara and Ax, and an earlier one between just Synara and Ax, are the episode’s highlights. The blocking is a little clunky, but it’s made up by being fairly chaotic and gritty, with blasters shots flying, weapons drawn and swung, and then the use of raw punches and kicks. Star Wars should have more nutty, non-lightsaber battles like this.

The episode ends on a harrowing note: a large green explosion engulfing Synara, Yeager, and Ax, leaving Kaz and Norath helpless on what to do next, with the arrival of the First Order right outside the planet’s atmosphere, and the Colossus relatively helpless as well. It’s the kind of engaging mess that leaves audiences wanting more, less because of any particular engagement in the actual story, but more in the sense of possessing a complex, chaotic cliffhanger. That’s fine. I can’t fully judge this episode until the entire arc is finished, but so far, “The Missing Agent” does the yeoman’s work of a straight-forward, decently-paced story, and I feel like that may be the best that we can get at this point.

Keep up with Star Wars Resistance season 2 news and reviews here.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

3/5
Review
Star Wars Resistance Season 2 Episode 12 The Missing Agent
Dec 22, 2019

Star Wars Resistance Season 2 News, Reviews, and Episode Guide

$
0
0

Star Wars Resistance season 2 is airing right now. Here's everything you need to know about the final batch of episodes.

Star Wars Resistance season 2 is set for liftoff, according to Disney. The show was renewed midway through the first season, which sees Kazuda Xiono, a young pilot turned Resistance spy, investigate a station called the Colossus and its connections to the First Order. Along the way, he makes a few friends and participates in high-stakes races with a pretty junky ship called the Fireball (she's got it where it counts, though). 

The show, which is set years after Return of the Jedi and just before The Force Awakens, has plenty of connections to Episode VII. The valiant Poe Dameron plays a supporting role on the show as Kazuda's mentor while Captain Phasma leads her forces in the days before her mission to Jakku. General Hux and Starkiller Base have also appeared on the series. As an extension of the Sequel Trilogy, Kazuda's journey hasn't quite been the revealing interquel fans might have been hoping for, but for those who just want to watch plenty of Star Wars starfighter action, Resistance is the show for you. 

Renowned Lucasfilm Animation veteran Dave Filoni (Star Wars Rebels) created the series while Athena Portillo, Justin Ridge, and Brandon Auman serve as executive producers. Amy Beth Christenson is the art director. 

Here's everything else you need to know about the show:

Star Wars Resistance Season 2 Episodes

Here's where we'll compile episode titles, official synopses, and reviews as they become available. Click the titles to go to the full reviews.

Star Wars Resistance Season 2 Episode 1: Into the Unknown

Having been launched into space by Kaz and crew, the Colossus is having engineering problems, which are made all the more worse by a mysterious stowaway.

Air Date: 10/6/19

Read our review of "Into the Unknown."

Star Wars Resistance Season 2 Episode 2: A Quick Salvage Run

With the Colossus in need of hyperfuel, Kaz suggests they take it from a downed First Order ship; the salvage mission is quickly compromised when the First Order shows up.

Air Date: 10/13/19

Read our review of "A Quick Salvage Run."

Star Wars Resistance Season 2 Episode 3: Live Fire

Kaz officially joins the Aces, as does Yeager -- who trains them to become better combat pilots; Tam learns what it's like to be a First Order pilot.

Air Date: 10/20/19

Read our review of "Live Fire."

Star Wars Resistance Season 2 Episode 4: Hunt on Celsor 3

The pirates volunteer to find food for the Colossus, but Kaz doesn't trust them; Kaz and Torra go on the hunt, but run into big problems.

Air Date: 10/27/19

Read our review of "Hunt on Celsor 3."

Star Wars Resistance Season 2 Episode 5: The Engineer

Kaz and Neeku discover Nena, a Nikto engineer in need of assistance who barely escaped a First Order attack.

Air Date: 11/3/19

Read our review of "The Engineer."

Star Wars Resistance Season 2 Episode 6: From Beneath

Flix takes Kaz and crew to his home world to acquire fuel from his family's refinery, only to discover the family's drilling has awoken something monstrous.

Air Date: 11/10/19

Read our review of "From Beneath."

Star Wars Resistance Season 2 Episode 7: The Relic Raiders

When Kaz and team arrives on a mysterious planet to buy supplies, they find the outpost has been abandoned and a secret Sith Temple has been raised.

Air Date: 11/17/19

Read our review of "The Relic Raiders" here.

Star Wars Resistance Season 2 Episode 8: Rendezvouz Point

Doza attempts to meet a Resistance pilot from his past, but the pilot has been captured by the First Order.

Air Date: 11/24/19

Read our review of "Rendezvous Point" here.

Star Wars Resistance Season 2 Episode 9: The Voxx Vortex 5000

With the Colossus running out of money, Hype risks everything by taking the Aces to race at Vranki's Casino, run by Vranki the Hutt.

Air Date: 12/1/19

Read our review of "The Voxx Vortex 5000" here.

Star Wars Resistance Season 2 Episode 10: Kaz's Curse

A pirate curses Kaz, causing him danger at every turn; Kaz is soon forced to seek Mika Grey for help, but Kaz's curse gets worse when the Guavian Death Gang appears.

Air Date: 12/7/19

Read our review of "Kaz's Curse" here.

Star Wars Resistance Season 2 Episode 11: Station to Station

Kaz and Neeku sneak onto a First Order refueling station in order to take an important piece of tech, but their plans go awry when they run into Tam and Gen. Hux.

Air Date: 12/15/19

Read our review of "Station to Station" here.

Star Wars Resistance Season 2 Episode 12: The Missing Agent

Kaz, Yeager and Synara trace a distress call to a planet where a Resistance agent has gone missing; things only get worse as a mysterious bounty hunter starts hunting them.

Air Date: 12/22/19

Read our review of "The Missing Agent" here.

Star Wars Resistance Season 2 Episode 13: Breakout

Kaz and Norath try to help their friends while being pursued by a deadly bounty hunter.

Air Date: 12/29/19

Star Wars Resistance Season 2 Trailer

A clip from Star Wars Resistance season 2 has dropped online. Watch it below:

If you need a refresher on what happened last season, Disney also posted a season 1 recap video:

And here's the first trailer:

Star Wars Resistance Season 2 Cast

The voice cast includes Christopher Sean (Days of Our Lives) as Kazuda Xiono, Suzie McGrath (East Enders) as Tam Ryvora, Scott Lawrence (Legion) as Jarek Yeager, Myrna Velasco (Elena of Avalor) as Torra Doza, Josh Brener (Silicon Valley) as Neeku Vozo, Donald Faison (Scrubs) as Hype Fazon, Jim Rash (Community) as Flix, Bobby Moynihan (DuckTales) as Orka, Oscar Isaac (Star Wars: The Last Jedi) as Poe Dameron, and Gwendoline Christie (Game of Thrones) as Captain Phasma.

And check out the guest stars!

Joe Manganiello (Magic Mike) as Ax Tagrin, Daveed Diggs (Hamilton) as Norath Kev, Matthew Wood (The Clone Wars) as Kylo Ren, Lucy Lawless (Xena: Warrior Princess) as the Aeosian Queen. Elijah Wood (The Lord of The Rings) as Rucklin; Liam McIntyre (Spartacus) as Commander Pyre; Jason Hightower (Victor & Valentino) as Captain Doza; and Sumalee Montano (Kung Fu Panda: The Paws of Destiny) as Agent Tierny.

Star Wars Resistance Season 2 Story

Here's the official synopsis:

"The story picks up after a harrowing escape from the First Order, as the Colossus and all its residents find themselves lost in space, pursued by Agent Tierny and Commander Pyre. Kaz and team also face a myriad of new dangers along the way including bounty hunters, a suspicious Hutt, General Hux and Supreme Leader Kylo Ren. Meanwhile, Tam grapples with her future and where her true allegiance lies, with her friends or the First Order. The thrilling final season will showcase how the unlikeliest of heroes can help spark hope across the galaxy."

We'll keep you updated on more Star Wars Resistance season 2 news as we learn it! Until then, here's everything you need to know about Episode IX

Star Wars Resistance Season 2 Poster

Take a look at the poster released at this year's Star Wars Celebration Chicago!

Listen to the latest Star Wars Blaster Canon podcast:

Subscribe: Apple Podcasts | Spotify | Stitcher | Acast | RSS

John Saavedra is an associate editor at Den of Geek. Read more of his work here. Follow him on Twitter @johnsjr9

Star Wars Resistance Season 2 Release Date, Trailer, Cast, News
NewsJohn Saavedra
Dec 22, 2019

Amazon Prime Video New Releases: January 2020

$
0
0

Here's everything coming to Amazon Prime instant video in January 2020!

It's almost a new year and Amazon Prime is bringing one of 2019's best films to the stream to celebrate it.

Amazon Prime's new releases for January 2020 are relatively light, but among them is a heavyweight. Ari Aster's pastoral breakup horror movie Midsommar arrives on January 3. Perhaps to accommodate the sheer excellent of Midsommar, Amazon Prime isn't bothering with many new original offerings of note this month. A few standup specials arrive mid-month before Ted Bundy: Falling For a Killer closes things out.

In the absence of originals, Amazon Prime is beefing up its film library with its usual mass arrival on the first of the month. Notable entries include The Goonies, Sherlock Holmes, and a whole bunch of Star Trek films. But really, this winter on Amazon Prime is gonna be all about sommar.

Editor's note: Den of Geek participates in Amazon's Affiliate program. 

Watch All the Movies and TV Amazon Prime Has to Offer!

Coming to Amazon Prime - January 2020

January 1

Amores Perros (2000)

Arbitrage (2012)

Captivity (2007)

Cinderfella (1960)

The Conspirator (2011)

Crisscross (1992)

Cube (1998)

Cube 2: Hypercube (2003)

Cube Zero (2005)

Dangerous Curves (1988)

Danny Collins (2015)

Dracula 3000 (2004)

Drop Dead Sexy (2005)

Edge Of Darkness (2010)

Golden Gate (1993)

Gone (2012)

Kansas (1988)

Knowing (2009)

Last Rites (1988)

Mystery Team (2009)

P2 (2007)

Pi (1998)

Sherlock Holmes (2009)

Shy People (1987)

Star Trek II: The Wrath of Khan (1982)

Star Trek III: The Search for Spock (1984)

Star Trek V: The Final Frontier (1989)

Star Trek VI: The Undiscovered Country (1991)

Star Trek: Insurrection (1998)

Star Trek: The Motion Picture (1979)

Swimming with Sharks (1995)

The Bellboy (1960)

The Final Cut (2004)

The Good Guy (2010)

The Goonies (1985)

The Patsy (1964)

The Pom Pom Girls (1976)

The Possession (2012)

The Tenant (1976)

Unforgettable (1996)

January 3

Midsommar (2019)

Bug Diaries: Season 1B *Amazon Original Series

James May: Our Man In Japan: Season 1 *Amazon Original Series

Jayde Adams: Serious Black Jumper *Amazon Original Special

Ilana Glazer: The Planet Is Burning *Amazon Original Special

January 5

10 Minutes Gone (2019)

January 6

Conan the Barbarian (2011)

January 8

American Dreamer (2019)

Midnight Sun (2018)

January 9

Meet Wally Sparks (1997)

January 10

The Wedding Year (2019)

January 17

The Skeleton Twins (2014)

Troop Zero *Amazon Original Movie

Just Add Magic: Mystery City: Season 1 *Amazon Original Series

Russell Peters: Deported *Amazon Original Special

Rob Delaney: Jackie *Amazon Original Special

January 19

Miss Sloane (2016)

January 23

The Prodigy (2019)

January 30

Fighting with My Family (2019)

January 31

All Or Nothing: CBF: Season 1 *Amazon Original Series

Ted Bundy: Falling For A Killer: Season 1 *Amazon Original Series

Amazon Prime New Releases January 2020 Midsommar
NewsAlec Bojalad
Dec 22, 2019

Shameless Season 10 Episode 7 Review: Citizen Carl

$
0
0

Frank’s in love, Carl’s a hero, and Debbie considers the world’s oldest profession in a broad, yet promising Shameless.

This Shameless review contains spoilers.

Shameless Season 10 Episode 7

“I’m stunningly confused right now, but utterly intrigued.”

There's no question that Shameless is full of many selfish characters, but that doesn't mean that they aren't capable of doing good things. This episode, "Citizen Carl," sees many of the Gallaghers on the pursuit to help others, whether it's genuinely for those people or for their own selfish purposes. These random acts of kindness lead to a lot of positivity, but it also results in plenty of new predicaments for the Gallagher family, too.

There’s a lot of strangeness afoot in this episode of Shameless, but perhaps the most bizarre of all of these stories is the spontaneous love story that Frank finds himself in. The mysterious Faye (Elizabeth Rodriguez) swoops into the Alibi and honestly seems like she’s a femme fatale pulled from out of some film noir. She’s entirely invested in Frank in a way that’s borderline suspicious, almost as if she’s been hired to find out information about him (not that Frank would ever be perceptive enough to pick up on such subterfuge).

Nobody can understand this immediate connection that forms between Frank and Faye and through the entire episode you’re waiting for the other shoe to drop. Ultimately, Faye’s big secret is that this seemingly perfect woman is in fact homeless (well, she lives in her car). Of course, this information only makes Frank more insatiable towards Faye.

read more: Shameless Season 10 Episode 6 Review: Adios Gringos

Frank’s new romantic squeeze is an interesting pivot for his character after his saga with Mikey and then his successful mission to sell a baby, but it still feels like there’s more going on here with Faye. Since Shameless has some talent in the role, it’s likely that Faye will stick around until the end of the season until the slate inevitably gets reset once again.

This development works, but the big issue here is that Shameless has done a number of long-term storylines where Frank is in love and thinks that he’s found the perfect woman. Faye and Frank’s romance is certainly quirky and less desperate than the series’ other attempts at this idea, but it will have to do a lot to stand out and feel original from what the show has already explored in the past.

Frank may have found himself a temporary soulmate, but matters aren’t as idyllic for Lip and Tami. They’re currently doing great with their child—or as great as fresh parents can be doing—but now the next hurdle revolves around them trying to regain intimacy. With all of their other stresses out of the picture and now that enough time has passed since Fred’s birth, Lip and Tami are finally able to have sex again. Naturally, this simple act gets lost in a myriad of complications as Lip and Tami get further from their goal. It momentarily seems like these obstacles may stem from a subliminal avoidance of this act, but in the end it’s a much simpler scenario. This becomes very human, vulnerable territory that helps ground this episode from some of its crazier material.

“Citizen Carl” also brings in some pressure from Tami’s family on the subject of returning home to an easier life. Tami’s frustrations towards the RV life are more than clear in this episode, but her love for Lip and her desire to prove her family wrong are even stronger. This offer that Tami’s father hangs over her head doesn’t seem like it’s going to be something that Tami deeply considers, but I wouldn’t be surprised if more of Tami’s family showed up to try to persuade her. Tami’s home will likely be where she retreats to if she and Lip ever have another major blowup, but I wouldn’t expect these two to relocate there with their baby or anything.

Lip’s struggles with parenthood have been a constant for the character from the start of this season, but the only other character to really deal with a consistent dilemma has been Debbie. Debbie’s unscrupulous scams to generate easy income have been present since this season’s premiere, but their scope and severity continue to balloon out of control and go to increasingly absurd places.

It’s still extremely disheartening to see that Debbie’s despicable scam to get money out of her dead ex-husband actually worked. It’s one of the more outrageous schemes that Shameless has ever done. Even though Debbie has already garnered a significant payday from this score, she’s still hungry for a steady income.

Debbie’s discontentment leads to her nearly making a string of poor decisions as she pals around with her terrible influence of a friend. Better judgment thankfully comes over Debbie and she ends up making a intriguing new friend in the process, Claudia (Constance Zimmer), a wealthy socialite—and then some. At first it looks like this new ally could lead to an interesting relationship for Debbie, but it’s actually a massive understanding that opens a whole new ill-advised stream of revenue for Debbie. Get ready everyone because it looks like Debbie’s becoming a prostitute. It hasn’t even been a full season without Fiona and it feels like we’ve come shockingly far from where things were at with her at the head of this family…

Even though Debbie puts to rest her baby swapping hijinks, the effects of it still linger within the Gallagher home. This largely resorts in some amusing visual gags, but it’s also a confirmation that Stella (Maya Bednarek) is a strangely amazing character. Everything that she does is kind of incredible and in spite of how irresponsible this whole plot is, it’s at least resulted in one absolutely bonkers character.

Stella’s easily the highlight of the episode. The only plausible way for this character to stay in the picture is if she and Liam start hooking up, which is crazy, but if it allows Stella to lounge around in the Gallagher house and hand out reams of condoms to people, then I am all for it. Shameless, do the right thing and lock down Bednarek.

As Debbie inadvertently commits crimes of her own, Ian and Mickey are also stuck breaking the law, but against their will. These crooked parole officer shenanigans that Ian is trapped in are a bit of a broken record so far, but after Paula pulls Mickey in too it feels like a change is imminent. The fleeting moments where Mickey actually works a decent job doing security are really enjoyable before Paula has to destroy that simple happiness.

read more: Kavalier and Clay TV Show Coming to Showtime

Perhaps the most rewarding material in “Citizen Carl” is the storyline that the episode draws its title from. There’s an intensely sweet moment where Carl bonds with an elderly lady at his bus stop. It’s such a wholesome exchange and a reminder of the real heart that beats within Shameless. What happens next is beyond tragic, but what this innocent lady’s death manages to inspire in Carl is absolutely beautiful and a reminder that Carl has oddly turned into one of the sweetest and most empathetic characters on Shameless. 

This scene could have had even more impact if this lady was someone that we saw Carl interacting with at this bus stop a few times previously this season. Shameless has so much on the go that this level of foreshadowing isn’t expected (nor is it necessary for this story to connect), but it wouldn’t have been difficult to do.

Carl attempts to right these wrongs in his own Carl way of doing things, but it’s still very moving. It also makes for a logical way to bring Kelly back into the picture that doubles as a reminder that she can actually be a pleasant character. The sense of purpose that this provides Carl isn’t lost on him and hopefully Shameless continues down this path for him. By the time season eleven rolls around Carl better be running for mayor or something similar.

The death that Carl peripherally experiences prompts some real growth in him, but a fatality within the doors of the Alibi prompts opposite reactions in Kevin and Veronica. Billy, one of the Alibi’s constant barflies, unexpectedly drops dead. Somehow this isn’t territory that Shameless has already dipped its toe in before, but it leads to a level of morose contemplation within the bar.

Billy’s death mostly effects Frank, but when V realizes that Billy’s alcoholism fueled nearly 30% of the bar’s income, they begin to panic. Their way of handling this problem is highly farcical, but at least keeps with the over the top theme that these two have been on all season. The two decide to troll AA meetings (in outlandish disguises, no less) with the hopes of luring over new customers in the process. It’s very depressing to see them knock a pillar of sobriety off the wagon, especially when it’s played for comedy.

This season of Shameless, more than any other, has suffered from an issue with extremely segmented and broken up storytelling. This is more egregious in some episodes than others, but “Citizen Carl” succumbs quite hard in that respect. Many of the plotlines in this installment technically reach conclusions, but in most cases they’re still open-ended questions in a way where it feels like only 2/3 of the story is finished. It’s a strategy that slows down the momentum of some characters’ struggles while it rockets ahead that of others.

So many episodes in Shameless season 10 feel like they throw the Gallaghers back to square one and introduce a whole new world of characters and problems for them. This is inherently frustrating on some level (is Anne just seriously out of the picture now, along with that vape selling plot that never even got moving?), but the Gallaghers’ current set of problems—as ridiculous as they may be in some cases—could lead to some promising character development for everyone involved.

If Shameless can stay focused and ride these ideas out until the end of the season then there could be a half-decent finish to all of this. Then again, at the rate that the show is currently moving at, the next episode will probably have Frank selling dinosaur eggs while Debbie uses her latest cash influx to turn herself into a sex robot.

Keep up with Shameless season 10 news and reviews here.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

Daniel Kurland is a published writer, comedian, and critic whose work can be read on Den of Geek, Vulture, and Bloody Disgusting. Daniel knows that the owls are not what they seem, that Psycho II is better than the original, and that Hannibal is the greatest love story ever told. His perma-neurotic thought process can be followed at @DanielKurlansky.

3/5
ReviewDaniel Kurland
Shameless Season 10 Episode 7 Citizen Carl
Dec 22, 2019

Shameless Season 10 Episode 8 Trailer, News, Reviews, and Episode Guide

$
0
0

The Gallaghers are back on Showtime for Shameless Season 10 sans Fiona.

It’s a minor miracle the Gallaghers have managed to stay together for this long. After nine seasons, the Showtime hit has lost two family members, Emmy Rossum (Fiona) and Cameron Monaghan (Ian), but not for too long in the latter's case, as Ian Gallagher will be returning for at least a sizable amount of Shameless Season 10, which will carry on without Rossum and with William H. Macy, despite the latter's recent PR woes.

further reading: Shameless Showrunner Talks Life After Emmy Rossum

In a previous statement, Showtime president Gary Levine said: “The Gallaghers are a force of nature, and they are coming back. Shameless, with its ever-growing fan base, is like no other show on television. We are thrilled it will live on with its unique blend of love and larceny on Showtime."

Shameless Season 10 Episode 8 Trailer

The next episode of Shamelessseason 10 is episode 8, titled "Debbie Might Be a Prostitute." It airs on Dec. 29 at 9 p.m. ET. Here's a trailer:

Shameless Season 10 Episode Guide

Shameless Season 10 Episode 1: We Few, We Lucky Few, We Band of Gallaghers

Frank milks his injury for all its worth; Debbie cooks up a scam of her own; Lip and Tami get a surprise; Carl returns home from military school; Liam faces an identity crisis.

air date: 11/10/19

read our review of "We Few, We Lucky Few, We Band of Gallaghers" here.

Shameless Season 10 Episode 2: Sleep Well My Prince For Tomorrow You Shall Be King

Frank sets out to make money to keep his place in the house; Lip is overwhelmed by the demands of a newborn; Carl learns more about his mysterious new coworker; Ian and Mickey struggle to keep the romance alive in prison.

air date: 11/17/19

read our review of "Sleep Well My Prince For Tomorrow You Shall Be King" here.

Shameless Season 10 Episode 3: Which America?

Frank revels in his new position in the Gallagher house; Lip looks for support as the pressures of fatherhood take their toll; Ian and Mickey make a decision about their future; Carl tries to woo Anne despite Lori's efforts to get in his way.

air date: 11/24/19

read our review of "Which America?" here.

Shameless Season 10 Episode 4: A Little Gallagher Goes a Long Way

Frank and Mikey set off on a day of adventure around the city in pursuit of Mikey's dreams. Debbie discovers a new way to make money in the midst of a strike as Lip leans on his new friend for parenting advice.

air date: 12/1/19

read our review of "A Little Gallagher Goes a Long Way" here.

Shameless Season 10 Episode 5: Sparky

Frank hatches the idea for a new scheme when an unexpected visitor shows up at the Gallagher house. With Tami back in the house, Lip struggles to give up control of Fred. Ian returns home and is thrown in with a corrupt parole officer.

air date: 12/8/19

read our review of "Sparky" here.

Shameless Season 10 Episode 6: Adios Gringos

Frank and Liam get wined and dined by potential baby buyers. Carl comes up with a strategy to protect Anne's family business, and Ian gets on Paula's bad side. Backed into a corner, Debbie fights to protect Franny from Pepa.

air date: 12/15/19

read our review of "Adios Gringos" here.

Shameless Season 10 Episode 7: Citizen Carl

Carl embraces his civic duty. Debbie searches for her next payday. Frank meets the woman of his dreams. Ian and Mickey get roped into a dangerous scam. When tragedy strikes the Alibi, Kev and V go undercover to find new customers.

air date: 12/22/19

read our review of "Citizen Carl" here.

Shameless Season 10 Episode 8: Debbie Might Be a Prostitue

Debbie weighs the pros and cons of a new career. Frank uncovers the truth about Faye's living situation. A miscommunication between Ian and Mickey has disastrous consequences and Lip. Tami disagrees over who should be taking care of Fred.

air date: 12/29/19

Shameless Season 10 Episode 9: O Captain, My Captain

Frank goes back in time to uncover his connection to Faye, as Debbie's day with Claudia's daughter goes awry. Carl takes extreme measures to toughen up his new group of cadets. Ian struggles to connect with Mickey after their blowup.

air date: 1/5/19

Shameless Season 10 Episode 10: Now Leaving Illinois

An incident in the Tamietti family presents Lip and Tami with a new opportunity. Faye's betrayal lands Frank in front of a judge. Mickey's antics drive Ian to online dating. Carl makes an unexpected discovery at his new job.

air date: 1/12/19

Shameless Season 10 Episode 11: Location, Location, Location

Frank finds a cushy place to make his new home. Lip gets cold feet when Tami moves forward with a plan for their future. Ian sees a new side of Mickey, and Debbie's love triangle reaches a breaking point.

air date: 1/19/19

Shameless Season 10 Release Date

Shameless Season 10 premiered on Nov. 10 at 9 pm ET. It will serve as a lead-in for Kidding Season 2 at 10 pm. Showtime made the annoucement at the 2019 Summer TCA press tour.

Shameless Season 10 Cast

Fiona’s absence will be felt in season 10; she was the effective head of the household for most of Shameless’ run. Rossum told fans before the season 9 began that this would be her swansong. Monaghan withheld that information until right before his final episode aired in October.

However, he has quickly changed his direction, as well as Ian's, as Monaghan has returned to being a series regular in season 10. He revealed to the TCA (via The Hollywood Reporter) that he had stepped away for creative and business reasons, but is happy to be back now. Says the actor, "I took some time away and talked to showrunner John Wells about possible things we could do with the character in the future, and we go to a place both creatively and financially where I felt comfortable coming back."

Another major upside for hardcore Shameless fans is that Noel Fisher is returning to the series full-time as Mickey Milkovich! After making a surprise cameo in the post-credits scene of the mid-season finale last year, it was revealed he came back to Chicago to serve time with Ian Gallagher. More intriguing still, however, is the fact that Fisher's return was greeted by Cameron Monaghan, who plays Ian but seemingly left the series for several years after Ian got sent to prison halfway through season 9 (hence running into Mickey in prison).

We also now know that Kate Miner (via THR) is going to have a much bigger role in Season 10. Kate Miner plays Tami, Lip's girlfriend who agreed to keep the baby that Lip is the father of. So needless to stay, it would make sense if she was around for a longtime to come in Lip's life, although what that kind of relationship will be remains to be seen.

Shameless Season 10 Images

We got our first images of produciton on Shameless Season 10 when actress Emma Kenney (Debbie on the show) shared them on social media. Fans will likely be pleased to see Ian and Noel Fisher as Mickey back in the Gallagher fold.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

Shameless Season 10 Release Date, Cast, News, and More
NewsChris Longo
Dec 22, 2019

Mr. Robot Season 4 Episode 12 Review: Series Finale

$
0
0

The final episode of Mr. Robot is a brilliant, risky, and thoroughly satisfying culmination of all that’s come before.

This Mr. Robot review contains spoilers.

Mr. Robot Season 4 Episode 12

Love it or hate it, Mr. Robot will go down in history as one of the signature prestige dramas of the decade. A story about a hacktivist attempting to remake America by battling the darkest and most harmful aspects of capitalism and Big Tech was groundbreaking in 2015, but has only gone on to feel timelier and more relevant in the years that have passed (for us) since.

Yet, despite its larger anti-capitalist screeds, Robin Hood-esque philosophy and generally labyrinthine plots, the heart of this show has always been Elliot Alderson, a broken, anxious hacker and drug addict who’s struggling to exist in the world even as he attempts to use his hacker group fsociety to save it. His mental health struggles – including the dissociative identity disorder that gives rise to his titular “Mr. Robot” alter ego – are many and varied, and as the show continues, we learn that Christian Slater isn’t the only personality that’s living in Elliot’s head.

But creator Sam Esmail has always been as interested in the mechanics of telling a story as much as the story itself. Over the course of its four-season run, Mr. Robot is a study in misdirection, unreliable narrators, red herrings, and narrative fake-outs. It regularly breaks the fourth wall to address the audience directly, and has framed entire episodes around gimmicky ideas like an hour that unfolds in real time or includes virtually zero dialogue.

So, while having the entire series turn out to be hiding one last twist of truly epic proportions is a deeply bold decision, it does have a certain degree of precedent behind it. We’ve watched seasons in which primary characters turned out to exist only in the minds of others, or that crafted imaginary realities to paper over darker truths. Mr. Robot has repeatedly asked us to question the nature of the world around us – whether that’s through including clips of real-life news snippets to pad out its fictional universe or the revealing that certain characters weren’t precisely who we’d always believed them to be.

read more: Mr. Robot Ending Explained

At times, this show could be nothing sort of exhausting. But even at its most frustrating, Mr. Robot has always been impossible to look away from.

Part of that is due to the tremendous cast at its center – far more than just star Rami Malek have deserved Emmys over the years – but it’s also because it’s a show that takes real risks. Some of them don’t always work. (I’m still not sure what the point of pretending Elliot wasn’t in prison was, other than to prove the show could do it. And the shock death of Angela Moss in its first was probably this season’s worst decision. Fight me.) But when they do, the show is nothing short of a revelation.

Happily, I’m here to tell you that the series finale is the latter, not the former. That Mr. Robot generally sticks its wild, crazy landing in its final two hours is a testament both to the characters and the universe that Esmail has built, and to the gutsy vision the story has never shied away from. Now that it’s over, I can confess – I was fully ready for this to make no sense, and to spend the bulk of this review complaining about what might have been, or things I’d have done differently.

Instead, I’ll say this: I’ve rarely been this happy to be wrong. This is a beautiful ending. It provides closure for the Elliot we knew, something that feels like cohesion for his (apparently, many personalities) and hope for a new future for the Elliot we never met.

Mr. Robot walks an impossibly fine line throughout this finale – between fantasy and reality, hope and despair, control and faith. It gives us a glimpse at the world Whiterose believed her machine could create, only to reveal that it’s a virtual prison for the real Elliot, one that gives him his heart’s desire in Angela’s resurrection, even as it takes away the sister whose love made him whole. It repeatedly shows us the worst parts of the Elliot we know – we watch the scene in which he kills his alter ego twice and much of the episode is based on his attempt to “steal” a life that isn’t his – even as it ends with something like acceptance that he can only ever be part of a larger whole.

Is it a gut punch to realize that the “Elliot Alderson” we’ve spent four years with isn’t actually Elliot at all? Heck yes. But it’s also a tremendously gutsy decision – and one for which the bulk of the clues were there all along, particularly if we acknowledge that the series’ unreliable narrator trope didn’t actually end once we realized Elliot was lying about being in prison (hindsight really is 20/20, I guess). Of course, he was always “the other one”. Who else could it have been, really?

read more: The Best Action Movies on Netflix

There are things about season 4 that were less than great. Though it contained strong individual installments, it often felt like it wasn’t going anywhere, narratively speaking. Its forward momentum often stalled as the show chose to wander through flashbacks, therapy sessions and episodes that felt more like romcoms or holiday-themed-specials than part of the larger story. The final sequence at the Washington Township nuclear power plant didn’t land as well as I expect the show likely intended it to. Angela’s death really did just turn out to be a fridging meant to drive story for the men of the show. The seasons-long mystery of Whiterose’s strange machine was never really resolved in a way that felt satisfactory. And, if we’re honest, the idea that Darlene would never mention that “our” Elliot wasn’t Elliot at all is…well, it’s a stretch. To put it mildly.

But the series’ final ten minutes, in which Elliot – or, as we should now call him, the Mastermind – acknowledges the audience for the first time all season as he slots himself into the bizarre little family of personalities that the real Elliot has made is genuinely beautiful, from both an emotional and a narrative perspective.

As is his last monologue, in which both our Elliot and the series itself, admits that maybe this was never a story about changing the world, so much as one about changing ourselves, and living that change through the choices we make. It’s as much of a call to action as any of Mr. Robot’s screeds against the one percent, and feels much more immediate and necessary at the same time. Maybe we can’t all be elite hackers. But we can stand up for each other. For the things that are right. For the world we want to see.

The series’ final sequence, which sees Elliot’s family of Alderson’s personalities watch a movie together as a metaphor for – at least partially – reintegrating his consciousnesses, ends with a long shot through the projector lens, as snippets from the past four seasons blurrily speed by. That it is not immediately apparent that we are rising up through the real Elliot’s mind is oddly perfect, as is the decision for the series’ final shot to be one of Darlene, greeting the emergence of the real Elliot, at long last. It is both an ending and a beginning, closure and a fresh start. It is the conclusion I never would have predicted for this show, but, now having seen it, one that I couldn’t imagine as anything else.

Goodbye, friend. And thank you.

Keep up with Mr. Robot Season 4 news and reviews here.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

5/5
ReviewLacy Baugher
Mr. Robot Season 4 Episode 12 13 Finale
Dec 22, 2019

Mr. Robot Ending Explained: Hello, Elliot

$
0
0

The Mr. Robot series finale features a stunning, emotional twist that recontextualizes the entire series.

This Mr. Robot feature contains spoilers.

Elliot Alderson has always seemed like a fictional character.

Obviously he is a fictional character given that he exists on the television program Mr. Robot. But even within the reality of the show, Elliot at times more closely resembled a hacker archetype than a living, breathing, bleeding human being.

For four seasons our protagonist wore his black hoodie like a superhero wears a cape, which is fitting given that his abilities at times seem superhuman. His characteristics and behavior are exaggerated, all wide-eyed, anxious, and intense. He even has some Sherlockian chemical dependencies to round out his fictional hero suite.

In the absolutely superb Mr. Robot series finale, we finally found out why Elliot has these heightened personality traits. Elliot seems like a fictional character because he has been one all along...metaphorically speaking.

read more - Mr Robot Season 4 Episode 12 Review: Series Finale

About a year ago in the show’s time (which dates back to the beginning of the series’ very first episode), Elliot Alderson disappeared into his own head and somebody else entirely came out. Through 43 episodes of Mr. Robot, we never actually met Elliot Alderson. Instead we’ve been in the thrall of the vengeance-obsessed portion of his personality known only as “The Mastermind.” This is the personality that the manifestation of Elliot’s mom, Magda was referring to when she spoke of “the other one” in season 4’s second episode.

Mr. Robot makes this stunning reveal in the second part of its two-part finale. In the process it borrows a strategy from another classic sci-fi TV series. Just like Lost presented a “sideways” alternate universe only to reveal that it was actually the afterlife, Mr. Robot unveils a similar sideways universe before revealing that what we’re seeing is actually the contents of Elliot Alderson’s consciousness.

At first Elliot and the viewer alike believe that Whiterose’s project to jump into an alternate universe has worked. We see a different Elliot who he leads a very different, happier life. This Elliot is the CEO of Allsafe and is about to land his biggest client yet in the world’s biggest corporation, “F Corp.” This Elliot is a day away from marryingthe love of his life, Angela Moss, and he also has a living father who loves him.

But of course, in true Mr. Robot fashion: none of this is real. Back in the actual  world, Elliot really did successfully stop Whiterose’s plan - the nukes never went off and the world was saved. The “sideways” Elliot isn’t an Elliot from another universe at all: he’s the real Elliot who has been imprisoned deep within his own conscious as The Mastermind runs wild outside.

This is rather confusing stuff so the show goes out of its way to have three different characters try to communicate to Elliot (or The Mastermind, rather) just what exactly is going on. When Elliot doesn’t accept Mr. Robot’s explanation, he turns to Angela in the arcade at Coney Island that once served as fsociety’s headquarters. When even that doesn’t take, Elliot’s own consciousness forces him to sit down with a fictional version of Krista so that she can explain it all and make him (and us) fully understand.

Krista (who, to reiterate, is just another portion of Elliot’s mind in this context) lays the details of Elliot’s fractured psyche bare. There are no fewer than five alternate personalities that exist within Elliot’s brain. They are:

1. The Protector - Mr. Robot

2. The Persecutor - Elliot’s Mom, Magda Alderson

3. Elliot’s Younger Self

4. The Voyeurs - Us

5. The Mastermind 

As we previously knew, Mr. Robot was the first of Elliot’s personalities to manifest. Elliot’s mind fractured after he fell from the window and Mr. Robot came into existence the moment after Elliot’s real father died before a screening of Back to the Future. Mr. Robot took on the appearance of Elliot’s father, the man who was supposed to protect him but abused him and traumatized him instead.

Next came the mother personality, the Persecutor, who represented Elliot’s belief that he was somehow responsible for his own abuse and that he had to pay for it. Then came Elliot’s younger self who emerged to process the abuse that Elliot couldn’t understand or handle. After his dissociative family was in place, Elliot’s consciousness created us, the viewers. We were created to watch, so watch we did.

Finally, right around the time the events of the series begin, the last and most powerful of Elliot’s identities emerged: The Mastermind. The Mastermind was a reaction to all of Elliot’s rage against an unfair, exploitative world. This personality also wanted to shelter Elliot so he altered his perception of his past so that his father was a friend and not a monster. Fixing Elliot’s past wasn’t enough for The Mastermind though. There are a lot of monsters out there, monsters who wear suits, control the economy, and wreak havoc on innocent people’s lives. The Mastermind donned the black hoodie to stop Evil Corp and save the world…but more importantly to save Elliot.

read more - Treadstone: The Bourne Saga Continues on Television

“You loved him so much you wanted to save the entire world so you could make it better for him no matter the cost,” Krista tells the Mastermind.

The Mastermind took full control of the being known as Elliot Alderson, sought to create a better world, and succeeded in doing so. Meanwhile, the real Elliot was safely tucked away inside a fantasy world, living out all his dreams. The real Elliot had a father and mother who loved him in this fantasy, to go along with a good job, and Angela as his bride-to-be. The one thing that the real Elliot didn’t have, however, was Darlene.

Elliot and Darlene have a special relationship. They’ve stayed together through all the terrible things that have happened to the Alderson family and to the world at large. Darlene is Elliot’s rock. When his mind begins to fail, she is the only one who can convince him that what he’s experiencing is real. That’s why Darlene can’t exist in the fantasy land that The Mastermind created for the real Elliot. If Darlene were there, she would help Elliot “wake up” from The Matrix as it were.

And that’s how the conclusion of Mr. Robot as a series ends up being a touching reunion between two characters whose actors have actually shared plenty of screen time together already. The Mastermind accepts who he is and soon awakes in Elliot’s body back in the real world in a hospital bed. In keeping with the comparison to the Lost finale, Darlene takes on the role of Christian Shephard and explains to Elliot that not only is this the real world, but everything that happened to them really happened. They really started fsociety. They really eliminated the world’s debt. The really took down E Corp and Dark Army. Trenton, Mobley, and Angela are all really dead.

The Mastermind understands this but he still needs Darlene to know that even if everything else might be real, he himself is not. Of course Darlene already knows this because she and Elliot share a unique bond. She knew that another one of Elliot’s personalities was in the driver’s seat this whole time but she went along with it anyway. The siblings Alderson were spending time together again and that’s all Darlene ever really wanted.

“Is he ok?” Darlene asks of the real Elliot.

“I made a safe place for him. He got everything he ever wanted,” The Mastermind says.

But both Darlene and The Mastermind know that Elliot doesn’t have everything he ever wanted. He doesn’t have Darlene, the one person who means the most to him in the world. The Mastermind’s job is done. The world is saved. It’s time for Elliot to come home. So that’s  what happens in Mr. Robot’s closing moments. The Mastermind, Mr. Robot, Young Elliot, Magda Alderson, and Us take our seats in a theater. We watch as the projector grows brighter and M83’s lovely song “Outtro” plays. Soon the projection becomes an iris…Elliot Alderson’s iris.

“Hello Elliot,” Darlene says.

Elliot is back in control of his body, mind, and soul for the first time in the show’s history. He and Darlene can now live safely and happily in the world that we helped create for them.

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

Alec Bojalad is TV Editor at Den of Geek and TCA member. Read more of his stuff here. Follow him at his creatively-named Twitter handle @alecbojalad

Mr. Robot Ending Explained
FeatureAlec Bojalad
Dec 22, 2019

Mr. Robot Season 4 News and Episode Guide

$
0
0

Mr. Robot Season 4 will be the USA Network show's last. Here is everything we know about it.

Hackers rejoice! USA Network's Mr. Robot Season 4 is here.

Sadly, Mr. Robot season 4 will be the show's last. Show creator Sam Esmail confirmed once and for all that Mr. Robot Season 4 will be the final season. Oh well, to the nice farm upstate for retired dramas with you.

Mr. Robot has been a critical win for the network since the beginning. Stars Rami Malek and Christian Slater have received numerous award nominations, including an Emmy win for Malek for Best Actor in 2016. The series also stars Portia Doubleday, Carly Chaikin, Martin Wallström, Grace Gummer, Michael Cristofer, and BD Wong. Additionally, actor Bobby Cannavale received praise after joining in Season 3.

You can follow along with our Mr. Robot season 4 coverage below.

Mr. Robot Season 4 Episode Guide

Mr. Robot Season 4 Episode 1: Unauthorized

During the Christmas season, Elliott and Mr. Robot make their return; Darlene deals with real trouble; Tyrell is bored; Dom becomes paranoid.

air date: 10/6/19

Read our review of "Unauthorized" here.

Mr. Robot Season 4 Episode 2: Payment Required

Elliot and darlene come together. Dom gets dark army vibes. Price has answers.

air date: 10/13/19

Read our review of "Payment Required" here.

Mr. Robot Season 4 Episode 3: Forbidden

Whiterose has the feels. Elliot gets owned by his own hack; an old foe waits.

air date: 10/20/19

Read our review of "Forbidden" here.

Mr. Robot Season 4 Episode 4: Not Found

Elliot, Mr. Robot, and Tyrell walk in a winter wonderland; Darlene meets a bad Santa; Dom is on the prowl.

air date: 10/27/19

Read our review of "Not Found" here.

Mr. Robot Season 4 Episode 5: Method Not Allowed

Dom has no fun on Chrismas; Darlene and Elliot give a run-around; Krista plays hooky.

air date: 11/3/19

Read our review of "Method Not Allowed" here.

Mr. Robot Season 4 Episode 6: Not Acceptable

Vera tells a tale; Darlene gets a Christmas surprise; Elliot goes rogue.

air date: 11/10/19

Read our review of "Not Acceptable" here.

Mr. Robot Season 4 Episode 7: Proxy Authentication Required

Elliot feuds any data.

air date: 11/17/19

Read our review of "Proxy Authentication Required" here.

Mr. Robot Season 4 Episode 8: Request Timeout

Janice wants all the details; Elliot is shaken.

air date: 11/24/19

Read our review of "Request Timeout" here.

Mr. Robot Season 4 Episode 9: Conflict

fsociety v deus group

air date: 12/1/19

Read our review of "Conflict" here.

Mr. Robot Season 4 Episode 10: Gone

Elliot deals with the fallout from Deus Group

air date: 12/8/19

Read our review of "Gone" here.

Mr. Robot Season 4 Episode 11: Exit

Enough is enough. Elliot goes to the Washington Township Power Plant.

air date: 12/15/19

Read our review of "Exit" here.

Mr. Robot Season 4 Episode 12 and 13: Series Finale

air date: 12/22/19

Read our review of "Series Finale" here.

Mr. Robot Season 4 Release Date

The final season premiered on Sunday, October 6th at 10 p.m. on USA Network.

Mr. Robot Season 4 Cast

Ashlie Atkinson was recently announced for the cast of Mr. Robot Season 4, serving as the first new face for the final frame. She will play Janice, who’s officially described as “a chatty taxidermist with a peculiar sense of humor.” The Little Rock-born actress has been on quite the high-profile tear as of late, notably with a role in director Spike Lee’s BlacKkKlansman, recent Netflix film Juanita, along with TV runs on Syfy’s Happy! and CBS All Access’s One Dollar.

Mr. Robot Season 4 will see the return of all the regulars, including Rami Malek, Christian Slater, and Carly Chaikin. Less clear, however, is the fate of Bobby Cannavale's character Irving. Mr. Robot creator Sam Esmail seems dedicated to bringing him back though, saying "if there's any opportunity to work with him again, I'll do that."

There's also the matter of Fernando Vera (Elliot Villar). You may remember him as the guy who Elliot helped get out of prison and who returned the favor by killing Elliot's girlfriend. Well from the looks of season 3's post-credits sequence, he'll be back. Uh oh.

Mr. Robot Season 4 Trailer

Here are a few preview clips of the final season of Mr. Robot:

Here is the long-awaited full trailer for Mr. Robot Season 4.

Need a reminder of what went down during the first three Mr. Robotseasons? Allow Leon (Joey Bada$$) to explain.

The first teaser trailer for Mr. Robot's final season shows Rami Malek's Elliot forced by an unseen character to answer a very tough question about his destructive actions across the series. It may not be much, but it's certainly enough to renew our dormant appetites for the series.

Mr. Robot Season 4 Poster

The first image from Mr. Robot Season 4 has surfaced and it features a familiar face. Check out the image below:

Along with the image came a secret message urging fans to head to https://www.whoismrrobot.com/ to learn more about the upcoming final season.

This follows the announcement that Mr. Robot Season 4 will, according to creator Sam Esmail, take place across the span of a single week in December of 2015, carrying the unifying theme of the Christmas holiday.

The intriguing detail was dropped at a Tribeca Film Festival panel hosted by THR’s Scott Feinberg, where Esmail explained (via Deadline):

“Typically, how [British shows] wrap up series, like the British [version of The] Office, you tend to do a Christmas special. So, the final season of Mr. Robot is one very long Christmas special that will last about a week over Christmas of 2015.”

Esmail – who was joined in the panel by stars Rami Malek, Christian Slater and Carly Chaikin – spent much of the time discussing the show’s evolution, which, besides its own story developments, has been affected by external factors. The series, which launched back in June 2015, still takes place in the later part of that year. Indeed, after initially brandishing the tagline, “Our democracy has been hacked,” its proven prescience has rendered the series a period piece of sorts.

further reading: Jason Bourne USA Network Series: Everything You Need to Know

Mr. Robot Season 4 Details

Rami Malek recently returned to the set of Mr. Robot, which is currently shooting its fourth-and-final frame. However, it's hard not to acknowledge that Malek is showing up to the set of the cable series after having just won the highest prize that the industry can bestow an actor – a Best Lead Actor Oscar for his role as Freddie Mercury in Bohemian Rhapsody. As he shifts focus from Freddie back to Elliot Alderson, his tortured anarchist hacker-turned unwitting pawn for a global criminal cabal, Malek discusses his expectations for Mr. Robot Season 4 in an interview with EW, stating:

“I trust [creator Sam Esmail] implicitly, so if that is the way he thought he could close out this story line, then I’m with him.” He adds, “I can say this, it is a very impactful, emotional, and I think clearly well thought out way to end this story and this series. It’s remarkable. I’m in awe of the man and what he has done this season.”

As far as the atmosphere on the set as the series heads to its finish line, Malek explains:

“Christian [Slater] and Carly [Chaikin] and I were on set the other day almost making a pact to soak everything in as much as possible,” he shares. “Christian has always been a guy who has got me to really savor these momentous times in our lives, and this has been a major one for me and the most life-changing. So, it’s obviously bittersweet, but I’m just going to try and enjoy it for as long as I possibly can.“

Regarding the expectations of the viewers for the series ending, Rami Malek explained in an interview with Digital Spy last month, that the ending will be pretty wild.

"[Christian Slater and I] both got a call from Sam Esmail and my mouth was agape after he told me how the season ended," Malek said. "It's going to be a very, very, climactic ending to what I think has been four great seasons of television."

Joseph Baxter is a contributor for Den of Geek and Syfy Wire. You can find his work here. Follow him on Twitter @josbaxter.

Rami Malek on USA Network's Mr. Robot Season 4 Release Date Cast Trailer
NewsJoseph Baxter
Dec 22, 2019

His Dark Materials Episode 8 Review: Betrayal

$
0
0

His Dark Materials series one goes out with a bang and the promise of even better to come. Spoilers ahead…

This His Dark Materials review contains spoilers.

His Dark Materials Episode 8

Before anything else, the feet have to be right. Whether you’re performing a dance move or throwing a jab, everything springs from the feet. In this finale, His Dark Materials was able to pull off balletic pirouettes and land every punch, all because, months ago, it put itself in a solid stance by casting the remarkable Dafne Keen. 

Keen is remarkable. She has been throughout, but she’s especially so in this finale. Episode eight gave her a series of long, quiet, emotional two-handers – the kind of scenes that leave an actor nowhere to hide. Through clever editing and canny direction, there are tricks to make young actors (any actors, for that matter) look good. Fleeting moments can be captured and given meaning where none was intended. None of that went on here.

Keen gave a sustained, nuanced performance, making us feel everything that Lyra felt. Anger, hope, vulnerability, fight… Sensitively directed by Jamie Childs, speaking the wise words of Jack Thorne and Philip Pullman, she glided through those moments with honesty and heart. Whether paired with James McAvoy’s intense, Byronic Lord Asriel, Lewin Lloyd’s loveable Roger, a computer-generated bear or a corpse, Keen is a dream. 

So was this episode, with its combination of high-stakes action and character development. The raid, the bears, the air attack, Lord Asriel’s cruel betrayal, Lyra’s pursuit … it all moved along like a juggernaut – loud, weighty and relentless, with an orchestral score to match. Cleverly though, in between the action, time was set aside for quietness, even for a bit of light before the darkness. 

That light came from the love between Roger and Lyra, which shone in two scenes – one in the bathroom (God really is in the details: witness Roger’s special knock code on the door, Salcilia’s little hind quarters wiggling their way in backwards, and her paws twitching in her sleep later on - lovely work from the Framestore animators) and one in the improvised den. How rare and heartening to see those two kids do something as everyday and child-like as build a fort and have a picnic. 

There was a dread purpose to showing all that love and affection of course - to make us feel even more wretched about Roger’s desperately sad death. (No, Salcilia, we didn’t want to leave him either.) Even knowing it was coming, that played so painfully. How bereft you’re made to feel about deaths you were expecting to happen is the measure of any good adaptation. Call it the Romeo and Juliet test – if a production can sweep you up in their love story so much that you hope maybe this time, the young lovers are going to make it, then you know it’s doing things right. 

This episode did plenty right, and not just with Lyra’s character. The scene between Lord Asriel and Mrs Coulter, shored up by Father MacPhail’s earlier exposition, answered so many questions about their relationship. She really did melt in front of him. (Spot the golden monkey nuzzling up against Stelmaria? The very first glimpse of affection from Mrs Coulter’s daemon) And Asriel clearly does believe that Lyra is the product of something extraordinary. Forget child-murder, that kiss alone was powerful enough to tear a hole in reality. 

Mrs Coulter choosing Lyra was a pivotal moment for her, building on the chamomile tea work done in episode six, and the minute detail Ruth Wilson put into her performance in episode two. What a complex creation she is – pulling her daemon’s hair as self-harm one minute, oozing imperious arrogance the next, and then, the real surprise: a desperate declaration of love for her daughter. She turned down Asriel’s offer to build a new republic of heaven with him because she wants Lyra with everything she has. Pity for her that Lyra thinks she’s pure evil and has just skipped across the universe.

Lyra isn’t the only one on the move. Will’s story culminated in him passing through the window Lord Boreal has been using to step between the two versions of Oxford. Now there’s a knife and a tower of angels in the mix, and the door to book two has been pushed wide open for the next series. It’s been cleverly done, this splicing of stories. Though Lyra’s world has always the more exciting, Will’s has been stitched in neatly around its edges, lending a thriller edge to this fantasy tale. This week’s genre revelation being that the baddie helping Lord Boreal is a bent copper, that fink. Where’s Ted Hastings when you need him?

With nothing from Lee Scoresby or Serafina Pekkala, and a brief but touching goodbye to Iorek, this episode was pleasingly focused on just four main players – Lyra, Roger, Asriel and Mrs Coulter, with a tiny bit of development for servant Thorold. (“Will you say goodbye to her? It’s the very least you could do.” Well said that man.)

Playing out against epic, Romantic scenery, it left us with on the same image that started this whole affair – a glimpse of the sparkling city in the sky captured in Asriel’s photograms. We’ve come satisfyingly full circle, with worlds upon worlds to go.  

Lyra and Iorek in His Dark Materials Episode 8
NewsLouisa Mellor
Dec 23, 2019

The Witcher Ending Explained

$
0
0

The Witcher's ending may leave you with more questions than answers. Let's dive into its eventful final moments.

This article contains major The Witcher spoilers. You can read a spoiler-free review here instead.

The Witcher's first season certainly wasn't all it could be, but the series' debut did offer a few fascinating moments and intriguing plot threads that suggest better adventures are ahead. It all leads up to an eventful finale filled with chronological confusion, emotional meetings, devastating departures, and a massive battle that hints at what the show's production budget is capable of. 

Whether you walked away from that finale with unanswered questions or you're just looking for a safe space to discuss some of the shocking spoilers that occur during the series most action-packed episode, here's a breakdown of some of the most notable events of The Witcher's ending. 

The Timelines Converge

The Witcher’s use of crisscrossing timelines is one of its more frustrating and fascinating aspects. While the series' chronological hopping allows it to cover a lot of ground, there are times when it’s hard to tell when certain events are occurring in relation to others.

Thankfully, The Witcher's first season finale clearly brings most of the show’s stories and characters together at last. In case you’re wondering, it feels like the earliest events in the show deal with the start of Yennefer’s origin story. Next are Geralt’s earlier exploits (and the events that led to him becoming the Butcher of Blaviken) which seem to occur around the same time as Yennefer’s magical training. Things become a little more clear at that point when Geralt invokes the “Law of Surprise,” and essentially claims the unborn Ciri as his future ward, which happens before we see Yennefer and Geralt meet and share some adventures.

We then experience Nilfgaard’s attack on Cintra (and Ciri’s escape), which, of course, leads to Ciri’s adventures throughout the show. The events of Ciri’s travels, Geralt's split with Jaskier, and Yennefer's decision to help in the battle against Nilfgaard then all happen before we reach the season's final episode, which we’ll take a look at below.

Ciri and Geralt Finally Meet

One of the earliest plot seeds that The Witcher plants is the idea that Ciri and Geralt are “destined” to meet. This is initially presented as a matter of fate, but we eventually learn through flashbacks that it’s a little more complicated than that due to the aforementioned "Law of Surprise" and Geralt's rightful "claim" to Ciri (should he choose to invoke it). 

Regardless, The Witcher's season finale sees an escaping Ciri be taken in by a friendly woman living a simple life in the country. This oasis from the horrors she has experienced proves to be much more than that when we learn that the woman who took Ciri in is married to the man who helped save Geralt’s life after Geralt was poisoned in an effort to save Ciri from the battle that he mistakenly believed she was caught in (more on that later).

Read More: The Witcher Season 2 Confirmed by Netflix

After a bit of confusion that follows this surprising turn of luck, Ciri and Geralt finally meet in a nearby forest. During that long-awaited encounter, Ciri asks “Who’s Yennefer?” after Geralt invokes that name. While that’s a perfectly reasonable question considering that those two characters haven’t had the chance to meet yet, fans of the show may be left asking the far more pertinent question “Where is Yennefer?”

Nilfgaard’s Invasion

Before we dive into what Yennefer is up to, let’s take a look at the circumstances of the battle that serves as the effective climax of many of The Witcher's first season storylines. 

As we learn earlier in the season, the kingdom of Nilfgaard is leading a massive invasion that viewers first become aware of when we watch them launch a devastating attack against Cintra (which forces Princess Ciri to leave her home and eventually meet Geralt). During The Witcher’s season finale, that invasion results in what is referred to as the Battle of Sodden Hill: a turning point for what will eventually be known as the First Northern War.

A few things of note happen in this battle, but some of the most important events involve the various magic users in the series. See, the forces united against Nilfgaard have quite a few sorcerers and sorceresses on their side, but Nilfgaard boasts that assistance of a woman named Fringilla. As we saw in an earlier episode, Fringilla was sent to Nilfgaard after Yenneffer managed to seduce her way out of that particular assignment.

As it turns out, Fringilla has a pretty “loose” view on some of the other rules that other magic users in this land follow, which has seemingly allowed her to utilize a variety of disturbing (yet undeniably powerful) abilities. The use of these abilities helps turn the Battle of Sodden Hill in Nilfgaard’s favor. We see quite a few sorcerers and sorceresses united against Nilfgaard either die or suffer serious injuries during the battle.

It’s around that time that Yennefer shows up and does something quite dramatic.

Yennefer’s Last Stand

In a moment of seeming desperation during the Battle of Sodden Hill, we see Yennefer seemingly lose control (or gain control, depending on your perspective) as she unleashes a rain of fire on the army of Nilfgaard and forces them to withdraw their attack. It seems to be a relatively clean ending to what has been a devastating battle that Nilgaard was on the verge of winning.

However, it’s not quite that simple. Throughout The Witcher, we are told that the use of magic in this world often comes at the cost of something else. It’s all a bit complex, but it results in a kind of magical fuel referred to as “chaos.” Like a magic bar in a video game, every magic-user in this land seemingly has access to a finite amount of chaos (or at least a mana pool that must be drawn from slowly). We even see a sorcerer during the battle basically deplete his chaos and lose his life during a fight because of it.

Read More - The Witcher: Netflix Series Brings Magic and Feminism to Fantasy

Working off that logic, it’s highly doubtful that Yennefer would be able to perform such a devastating attack without expelling all of her chaos. Actually, it’s highly doubtful that she would be able to perform such an attack without tapping into a power reserve that goes beyond that. That idea is largely confirmed in the aftermath of Yennefer’s attack which sees some characters present at the battle (or, at least in Geralt’s case, envisioning the end of the battle via a dream) call out for Yennefer without ever finding her.

So where is Yennefer? Well, unless the show is going to veer wildly from the events of the stories it's based on, we don't think that she’s dead. While those same stories may offer a look (wink, wink) at what happens next, let’s assume that the show might differ slightly from the events of the books. If that’s the case, then it feels safe to assume that Yennefer’s actions will lead to devastating consequences for herself, the world, or perhaps even both.

Geralt Is Saved by His...Mom?

There are a few lingering plot threads during The Witcher’s finale that occur outside of the events described above, and the most intriguing of those loose ends is certainly what happens between Geralt and what appears to be his mother.

After Geralt is bitten by a monster that wields an incredibly deadly poison, he begins to suffer “fever dreams” that see him veer in and out of reality and his current timeline. During those dreams, we're treated to what seems to be a look at his childhood and the events that led to his mother abandoning him so that he may begin to undergo the training required to become a witcher.

Well, imagine our surprise when we see present-day Geralt meet a woman named Visenna who seems to be his mother. What’s odd is that his mother has apparently not aged a day. She also seemingly utilizes magic while treating Geralt’s wounds, which really just raises a whole new series of questions.

While Geralt’s state of mind may lead you to doubt whether or not any of that is really happening, it certainly seems like Geralt does indeed meet his mom and that she is, in fact, a sorceress of some kind. Given that most of the magic users we’ve seen in this show have seemingly abandoned their ability to have children, it’s not entirely clear how she was able to have Geralt and use her magic too. 

It’s likely that this story will be explored more during The Witcher’s second season.

Where is Jaskier?

After Geralt (quite rightfully) tells off the chronically annoying bard known as Jaskier for his part in many of the misadventures that have befallen the duo thus far, we don’t really see or hear from Jaskier again.

So where is he? That’s a great question. Nobody really mentions him after his departure, and there’s no implication that he has a role to play in any of the major events that occur at the end of the season.

It’s possible that the show is simply done with the character, but given his prominence and the nature of his on-screen departure, it's not likely the case. How, exactly, he returns to the show is going to depend on whether or not the series ends up following the books to the letter as it concerns the fate of particular characters.

Triss Comes and...Goes?

Triss Merigold is a beloved favorite character amongst fans of The Wither books and games, but you’re forgiven if you don’t really remember her from her time in the show.

We first see Triss during The Witcher’s third episode when she talks to Geralt about curing the striga. Interestingly, she isn’t actually introduced in the book series until much later, but it seems that the show’s writers wanted to find a way to get her some screen time during the first season.

We don’t see Triss again until the season finale when it appears that she may have been killed during the Battle of Sodden Hill. While we highly doubt that she actually died given the character’s popularity and importance, you can bet that her fate will play a major part in the show’s second season. The fact that she was introduced ahead of schedule would also seem to suggest that Triss may be one of those characters whose role is expanded upon in comparison to what we saw her do in the books

Matthew Byrd is a staff writer for Den of Geek. He spends most of his days trying to pitch deep-dive analytical pieces about Killer Klowns From Outer Space to an increasingly perturbed series of editors. You can read more of his work here or find him on Twitter at @SilverTuna014

Read and download the Den of Geek Lost In Space Special Edition Magazine right here!

The Witcher
FeatureMatthew Byrd
Dec 23, 2019

Lost in Space Season 2 Review (Spoiler-Free)

$
0
0

Although the adventure treads familiar territory, Lost in Space season 2 has a few new stories to tell on the Robinson family’s journey.

This Lost in Space season 2 spoiler-free review is based on viewing of all ten episodes.

If there’s one thing that can be said about the excellent storytelling in Lost in Space, it’s that it’s remarkably consistent in presenting a danger for the Robinsons to confront through ingenuity and cooperation, in highlighting the importance of family beyond their nuclear unit, and in fighting against those who would threaten the group from within. There may be some viewers who were hoping for more of a rollicking jaunt from planet to planet as in the original TV show now that the Robinson’s Jupiter 2 is equipped with a wormhole device, but the search for home is still about getting the entire Resolute and all of the 24th Colonist Group to Alpha Centauri. Depending on one’s expectations, season 2 will either be seen as a triumphant continuation or a repetitive albeit equally entertaining tale of adventure.

The Christmas-themed opening works well with the December 24th premiere of Lost in Space season 2, and the seven months that have passed give the shipwrecked Jupiter 2 a decidedly Swiss Family Robinson feel as Will and John create a makeshift holiday light show with bioluminescent moss and presents artfully arranged underneath. Everyone is focused on survival on the hostile planet they find themselves on, which includes a daily routine of things like tending corn in a greenhouse safe from the poisonous atmosphere, but there’s a certain comfort — and perhaps complacency — in their lives, even with Dr. Smith confined to quarters.

And thank goodness Smith has been given a short leash in Lost in Space season 2! It was never very believable the number of chances this devious character got last year despite getting caught red-handed many times, and although she certainly finds ways to make herself useful this time around, it’s a more believable personal journey that includes an actual chance at redemption. The flashbacks that are provided to explain some of Smith’s skills feel perhaps a bit too similar to those of last season, but they open the door to genuine sympathy from the audience and much-needed complexity for this heretofore completely evil character.

As for the Robinsons, much is made of their intellect and strength together, and their problem-solving comes across a bit stilted at times, especially when at one point in the premiere Smith, of all people, shouts, “That’s the power of teamwork!” Several other characters remark upon the Robinson’s resilience and ability to improvise in tense situations, almost as though they were referring to a team of superheroes with special powers. As the season progresses, however, with failure creeping into the picture, the MacGyver-like escapes from death recede into the background, bringing more authenticity to the mix. This is especially true with Penny, whose lamentations about a lack of Robinson-level talent come across at first as the self-aware musings of a fictional character hoping for more depth, but as she gains confidence, her contributions are all the more remarkable through their utter mundanity.

further reading: Lost in Space: The Robinson Family's World to Expand in Season 2

The storyline that begins with the Robinson’s return to the Resolute becomes the crux of Lost in Space season 2, but it’s difficult to critique without spoiling key plot elements. Suffice it to say that the big reveal from season one — the fact that the Robot’s technology is both what caused the extinction level event on Earth and what allowed those who could pass the tests to evacuate to Alpha Centauri — becomes the center of the continuing saga. The lost colonists must continue their ferrying mission to humanity’s new home, but the price that the Robot and those like him must pay may be too much for those like Will, who believe the alien being can be befriended, while others see it as a necessary evil.

This moral dilemma is a great anchor, but because so much of the conflict centers around cutthroat political maneuvers among the humans in life-or-death situations, it all seems very similar to Lost in Space season one. Perhaps that familiarity is what the writers were going for, and the pattern is certainly full of high-stakes deception and attempts to outsmart one another as everyone thinks they know what’s best for the colony’s survival. But how many attempted coups and double-crossing officers can one ship’s crew take? Thankfully, there’s plenty more conventional danger on the pair of planets in this new system in the form of carnivorous beasts, insidious single-celled organisms, and stampeding cattle.

Although qualifying as one of the aforementioned “familiar” elements, the heartfelt drama between members of the Robinson family experiences welcome growth in Lost in Space season 2. Fans can expect to learn more about Judy’s biological father, for example, and an adventure journal authored by Penny gives us further insight into the middle child’s character. Will has gone through a growth spurt certainly, but he’s also become more self-assured despite missing his Robot greatly at the start of the season. In fact, the changes that Will has undergone are compared favorably with what’s in store for the evolution of the Robot as well, and the mysteries surrounding their bond and the nature of the alien race as a whole are as compelling as ever.

What it boils down to is that Lost in Space is pure entertainment for a broad audience, including families with children, and this wide appeal accounts for much of why the show seems to walk in its own footsteps. Netflix likely is counting on all the kids being home from school on break to enjoy a rousing tale of intrigue and adventure with mom and dad, and if the show is formulaic, it’s beholden to no one’s formula but the one it skillfully created in season one. With an improved character arc for Dr. Smith, forward progress in the Robot storyline, and a shocking finale that thankfully and irrevocably changes everything, fans are certain to be pleased overall with the sophomore season.

Listen to the latest Sci Fi Fidelity podcast:

Subscribe: Apple Podcasts | Spotify | Stitcher | Acast | RSS

Read and download the Den of Geek Lost in Space Special Edition Magazine right here!

Michael Ahr is a writer, reviewer, and podcaster here at Den of Geek; you can check out his work here or follow him on Twitter (@mikescifi). He co-hosts our Sci Fi Fidelity podcast and coordinates interviews for The Fourth Wall podcast.

3.5/5
ReviewMichael Ahr
Will, Smith, Judy, Penny, and Don in Lost in Space 2
Dec 24, 2019

Lost in Space Season 2 Ending Explained

$
0
0

With lives hanging in the balance at the end of Lost in Space season 2, here’s our explanation of what really happened in the finale.

Lost in Space is no stranger to cliffhanger endings, and once again this year, the finale of season 2 finds most of the principal characters in dramatic limbo. In addition to the children of the Resolute failing to reach Alpha Centauri and being “lost in space” once again, the Robinson parents and Don West have no idea how to catch up or where their kids actually are. Somehow we have to account for Dr. Smith’s whereabouts as well since it appears her sacrifice may not have as been as permanent as her floating, shattered helmet would indicate. There’s even quite a bit of speculation surrounding the fate of the Fortuna and the planet where the kids ended up. We can only guess at what’s truly going on, but here’s what we know.

First of all, although we still don’t fully comprehend the connection between Will and his Robot, Lost in Space season 2’s final moments prove that he does not have any sort of special status with the robot race overall. However, the decision to heal Scarecrow by returning him to his designated glyph on the planetary pylon ring did win over the abused former Resolute pilot enough that he sacrificed himself to slow down the advance of his race’s vengeful army. As Penny said, “Maybe one is an anomaly, but two? Maybe it’s the start of something big.” Will may not be able to command the total obedience of robot-kind, but he definitely has some sort of persuasive knack on top of his mental connection.

But what was the ring around both planets’ equators for? There’s not much to go on, but based on Scarecrow’s need to return to a specific symbol that appeared on his own armor seems to indicate he had to “recharge” at a distinct location, perhaps his “home” of sorts. The army that sprung forth upon his return gave the impression that the ring is the nest, if you will, of the entire robot race, which spans the local system and perhaps beyond. Although we don’t have or need an explanation of how the planetary weather has been manipulated to produce regularly occurring lightning storms, the whole phenomenon fits with the idea that robots congregate to gather energy and maintain community.

further reading: Lost in Space Is Lifting Off With A Bigger Sci-Fi Quest in Season 2

Scarecrow wasn’t the only one buying time to allow the kids to escape either; Dr. Smith appeared to move at least a few wires out of the way of the not-so-frozen robot soldiers to delay their release. Maureen couldn’t help but be surprised that Smith would put herself in harm’s way, and we saw the duplicitous doctor moments before trying to leave on the Jupiter 8 alone with the Robot. Smith told Maureen that Will’s Robot only needed to say one word to convince her to end her self-centered ways, and that word was “family.” But was there perhaps more to that exchange before Smith gave up the ruse of fixing carbon dioxide scrubbers on the children’s escape vehicle?

On the one hand, the Robot, upon using the wormhole to escape the system, seems genuinely surprised to see an empty samples container identical to the one in which Penny, Smith, Vijay, and the professor escaped death earlier in the season, and we’re just as puzzled to see Smith’s signature scarf alongside the blue ball the doctor had picked up just after leaving the Jupiter 8. On the other hand, how could she have managed it unassisted? The simplest explanation is that she was able to duplicate the earlier effort inside the box, but it would seem the Robot would have to have brought the container onto the Jupiter 8 somehow. Its surprise would thus be related to her being missing from the container, not simply from the container’s presence.

more: Lost in Space: The Robinson Family's World to Expand in Season 2

That mystery will likely endure into Lost in Space season 3, as will the nature of what the kids found on the other side of the wormhole. Clearly, the Robot was following a human-made signal not to Alpha Centauri but to the derelict Fortuna, the ship captained by Judy Robinson’s biological father, Grant Kelly. But it’s unclear what the nature of his mission was 20 years ago and how it left his ship so far from home, presumably without the same wormhole technology later employed by the Resolute. As for the destroyed planet creating the debris field around the Fortuna and now the Jupiter 8, that story will present plenty of opportunities for next season’s adventure.

In the meantime, it’s easy to assume that because Don was able to pull Maureen and John out of the Resolute before its destruction took out the robot mothership, they’ll be able to find a way to go after the kids, whom they think went on to Alpha Centauri. However, it seems like they’d have to confront the many other ships that were headed their way, unless the Robot’s departure with the engine drew their attention away from the wreckage, whether there are human survivors or not. Could the Robinson parents acquire another wormhole engine in this system, perhaps through their newly acquired knowledge of the glyphs and the equatorial rings?

Again, speculation is the best we can do, but what fun guesswork it is! Because Netflix dropped the entirety of Lost in Space season 2 all at once, those who bingewatched out of their insatiable hunger for the adventure and intrigue that the show provides are feeling the interminable wait of the hiatus that much sooner, and fan theories are the best way to fill the time until the series returns. We’ve presented our best explanation for what we witnessed in the finale and hopefully planted the seeds for future discussion. Now all we need is news of a renewal!

Listen to the latest Sci Fi Fidelity podcast:

Subscribe: Apple Podcasts | Spotify | Stitcher | Acast | RSS

Read and download the Den of Geek Lost in Space Special Edition Magazine right here!

Michael Ahr is a writer, reviewer, and podcaster here at Den of Geek; you can check out his work here or follow him on Twitter (@mikescifi). He co-hosts our Sci Fi Fidelity podcast and coordinates interviews for The Fourth Wall podcast.

The Robot in Lost in Space
FeatureMichael Ahr
Dec 24, 2019

Christmas in The Twilight Zone: Revisiting Night of the Meek

$
0
0

Rod Serling was born on Christmas Day. We look at "Night of the Meek," a holiday offering from the writer/creator of The Twilight Zone...

Rodman Edward Serling (1924-1975), the creator and head writer of the legendary science fiction/fantasy/horror anthology TV series The Twilight Zone, was born in Syracuse, New York (but raised downstate in Binghamton), on Christmas Day.

Though raised Jewish, and, according to his daughter Anne Serling (writing in her 2013 memoir, As I Knew Him: My Dad, Rod Serling), “fiercely proud of his heritage,” Serling’s wife, Carol, was Unitarian (a Christian theological movement started in the 16th century that believes in one God, but not Christ’s divinity), and her husband came to share her liking for Unitarianism’s “free thinking, the permission to believe what one wants.”

Yet Rod Serling, like a lot of American Jews who suffer from annual Christmas-envy, loved and celebrated the holiday more as a secular/spiritual American holiday (like Thanksgiving), and mostly for what he called “the wondrous magic” of Christmas.

As a writer for radio in the early 1950s in Cincinnati, Serling wrote a number of Christmas-themed dramas, including one that never got produced, “No Christmas This Year,” a black comedy about a society that stops celebrating the holiday, while Santa Claus is besieged on all sides by striking elves and anti-aircraft fire. Years later, Serling recycled some of its characters for a Christmas episode of The Twilight Zone’s second season (1960-1961), “The Night of The Meek,” that aired in the series’ usual Friday 10 p.m. slot, and one night before Christmas Eve.

After the camera pans down from the familiar outer space background of The Twilight Zone’s opening graphics into the set of a department store’s “North Pole” Christmas display, what startles every Zone aficionado is the weird “look” of the photography—because it’s not the black and white filmed look we’ve come to associate with The Twilight Zone, it’s shot on videotape, and therefore has video’s more immediate, yet somewhat cheaper and tawdrier appearance. It looks as dated as The Twilight Zone’s filmed episodes look timeless. (Serling himself hated the videotaped look, writing to a Young & Rubicam ad exec who had championed “Meek” to CBS that the episode was “an abomination, and looks for all the world like a rough dress rehearsal that is a couple days from coming around.”)

Read More: The Twilight Zone New Years Marathon Schedule

“Meek” was one of six second-season episodes (out of 156 total) videotaped in a cost-cutting experiment that produced shows of somewhat negligible quality, and looks more like a live television production, hearkening back to Serling’s ‘50s heyday of 90-minute, live dramas for anthology showcases like Playhouse 90.

In fact, both the lead actor and director of “Meek” had a history with Serling, live television and The Twilight Zone. Art Carney, famous as Ed Norton on Jackie Gleason’s ‘50s sitcom classic The Honeymooners, stars as down-on-his-luck department store-Santa Henry Corwin (the surname is an homage to Serling’s radio mentor, writer/producer Norman Corwin, one of the first American broadcaster/entertainers to tackle serious social issues in the medium); the year before “Meek,” Carney stretched his dramatic acting chops by playing Serling’s doppelganger in the writer’s semi- autobiographical Playhouse 90 teleplay “The Velvet Alley.” Director Jack Smight came from live TV, and directed three of the six videotaped Twilight Zone episodes, as well as one of the series’ earliest filmed episodes (the robot-themed “The Lonely”).

In “Meek,” Serling lays out the plot and theme of the episode right up front, as heavy-handedly as he was often criticized for, when Bad Santa Corwin looks up from his shot of booze and looks, not at the bartender, but straight at the camera and asks us, the viewers, ”Why isn’t there a real Santa Claus?” So “Meek” is Serling’s television take on the perennial favorite Christmas movie Miracle on 34th Street, a 1947 dramedy in which the “real” Santa Claus edutains the film’s folks, and by proxy the rest of us, on “the true meaning of Christmas” (much as other Twilight Zone episodes were smaller-screen versions of famous films, like the first season’s “The Sixteen-Millimeter Shrine,” starring Ida Lupino as an aging screen actress nostalgic for her silent-screen past, was Serling’s knockoff of Gloria Swanson’s similar sad screen goddess in the 1950 noir classic Sunset Boulevard).

Read More: New Years in The Twilight Zone - History of A Holiday Tradition

Miracle’s message is Frank Capra- esque (without any involvement by Capra); Serling’s Capraesque “Meek,” a morality play for TV, inverts Miracle’s conceit of Santa becoming “real” into a “real” person becoming Santa, as Carney’s Corwin does mid-episode, giving him the chance for the redemption that’s at the heart of Christianity itself. (The connection between Capra and Serling is not a tenuous one, as “Serling Sermons” like “Meek” were chided by critics, then and now, as much as “Capracorn” was. And the half-hour fantasy sequence in the final act of It’s a Wonderful Life, in which Jimmy Stewart’s George Bailey witnesses his life had he not been born, isn’t so much a throwback to Dickens’ A Christmas Carol as it is a proto-Twilight Zone episode.) A key image in “Meek” is when Serling and Smight conflate Claus with Christ by framing Corwin’s seedy Santa, gleefully distributing his newfound Christmas booty to his fellow sots in the church mission, in front of a sign on the wall that reads “Love Thy Neighbor.”

Corwin decries the commercialism of Christmas in Serling’s trademark poetic, stylized and philosophical dialogue. Pop culture author Gary Gerani, in the audio commentary to “Meek” on the Twilight Zone DVD, calls Carney’s speech about what Christmas really should be about, and what it’s been turned into, “a more dramatic and heartfelt version of what Edmund Gwenn had done in Miracle,” citing lines like “I live in a dirty rooming house on a street filled with hungry kids and shabby people. Where the only thing that comes down the chimney on Christmas Eve is more poverty.” In another of the episode’s most poignant scenes, Corwin, weeping, cradles a boy and girl in the snow as they ask him for their Christmas presents; the boy wants “a job for my Daddy.”

Further Reading: The Full Christmas TV Show and Movie Schedule

It’s earnest but heartwarming touches like that that give “Meek” a gravitas not normally associated with holiday-themed television episodes, a seriousness steeped in Serling’s Judeo-Christian-Unitarian social concerns of the time, like the burgeoning civil rights movement. In the episode’s opening department store scene, the first person we notice is a young boy—a black boy—placed prominently in the foreground, a black among the all-white crowd of parents and kids. This was 1960, when nary a “negro” was to be found on television—but Serling was a pioneer here, with his absolutely daring casting, earlier that year, of the first black actor (Ivan Dixon, later one of Hogan’s Heroes) in a starring, dramatic role on television, in the Twilight Zone episode “The Big Tall Wish.” After Corwyn wistfully whines, “On one Christmas, I’d like to see the meek inherit the earth,” Director Smight cuts right to a closeup of that black kid.

Further Reading: The Best Christmas Movies on Netflix

“And that’s why I drink...and that’s why I weep,” Corwin concludes (just like trumpet player Jack Klugman’s rationalization for his drinking in the first-season Twilight Zone episode “A Passage for Trumpet,” a redemption story similar to “Meek”). Perhaps the most telling of Corwin’s plaints is when he rues “I’m an aging, purposeless relic of another time,” because that’s Serling himself, describing himself, suffering the pangs of nostalgic longing that brought forth many of the greatest Twilight Zone episodes (like the first season’s “Walking Distance” and “A Stop at Willoughby”), and that includes “The Night of The Meek.”

Serling, in that letter to the ad exec, wrote of the episode disparagingly, bemoaning that “instead of being the sheer delight I had hoped it would be, turned out to be an inconsequential nothing, and I rather think it’ll be a terrible disappointment to you.” But that short-sighted belief is belied by Serling’s closing narration, that is as beautifully written as the episode is fondly remembered, its present-day status as one of The Twilight Zone’s most beloved episodes assured:

“A word to the wise, to all the children of the twentieth century, whether their concern be pediatrics or geriatrics, whether they crawl on hands and knees and wear diapers, or walk with a cane and comb their beards. There’s a wondrous magic to Christmas, and there’s a special power reserved for little people. In short, there’s nothing mightier than the meek. And a Merry Christmas to each and all.”

Arlen Schumer wrote and designed Visions From The Twilight Zone (Chronicle Books), the only coffee table art book about the series, wrote and designed the Paley Center for New Media’s website for the 50th Anniversary of the series in 2009, and continues to present a multimedia show based on the book to universities and cultural institutions around the country, most recently at Ithaca University’s 2013 Rod Serling Conference in Los Angeles. You can find his work on his website.

Read and download the Den of Geek Lost in Space Special Edition Magazine right here!

The Twilight Zone Christmas Episode: Night of the Meek
FeatureArlen Schumer
Dec 24, 2019
Viewing all 30244 articles
Browse latest View live